It’s not that we need to know their entire backstory and every little detail about them...... it’s that, from an emotional standpoint, these characters have no depth. What are their weaknesses? What are their fears? What part of themselves do they have to overcome? How do the people around them help get them to where…

I think it’s because they never got to do much yakking. The movie bounced from one action sequence to another and never gave the characters a chance to get to know each other, and for us to get to know them. Not in terms of history necessarily, but to get a better idea of their personalities.

I took an extravagant uber the other day because I had to come back to sleep at my parents’ house in the burbs outside NYC (it was Thanksgiving weekend - I promise I’m an adult). I didn’t want to take the train home alone at 4AM like my stupid drunk ass used to do when I was younger. So, OK. It was $100. That’s a lot…

As someone who is sort of 25 going on 12, I kind of read “adulting” as pointing to the dissonance between what we thought “adult” meant as kids, and what it ends up meaning once you get there....

Like in a lot of cases “adult” is a performance just like anything else. I have to attend a conference for my work this…

I think #adulting is a sign of humility. I don’t know very many young adults who feel on TOP of their game for the reasons you mentioned.

This is possibly the most humorless thing I’ve read in a while. “#Adulting” is obviously a joke, meant to be taken as such. Most of the time I see it, it’s used by the person saying it to skewer themselves for being childish or lazy, not to garner praise.

I appreciate your comment about Ward being irredeemable. Cause that’s definitely true. I saw people complaining on twitter, wondering how the show was going to redeem him. I honestly hope they don’t. I love having a villain who is iredeemable.

Kilgrave is perfect logical conclusion to what happened to him. A kid discovers that people around him will do anything he tells them to? The only outcome of that solipsism. So of course he becomes obsessed with Jessica after she walks away from him. As far as Kilgrave knows Jessica is the only other “real” person in…

I disagree with the “crucial moment” bit.

That’s how I read it, too. I didn’t actually find her query so strange - it seemed like a person saying “how can anyone choose to live so joyless a life? What draws them in?” I think it’s a valid question. Most people seem incapable of being balanced enough to ask it. We’re either all terrible or all great. Can’t be…

It’s almost....almost....as if she is asking us to briefly consider whether our enemies are also human? NOPE NOPE WILL NOT STAND

bingo!

That was TOTALLY some dark to the core fucking evil shit right there - I embraced that everyone thought I murdered my wife in front of my kid - I OWNED it. How do you fucking own something like that? Yikes.

* The fact that he was the only one who didn’t freak out when seeing Wells in the costume. Why would Zoom freak out? He wasn’t the one in jail. He wouldn’t even know that Wells even wore the yellow costume.

If Henry isn’t Zoom, I am going to buy a hat, a nice one, maybe one of those newspaper caps and eat it.

I enjoyed this episode a lot and there’s one main reason for it: Harrison Wells. I mean, seeing him back in that costume, all disheveled and freaking Cisco out *fans herself* I also accidentally started shipping him with Caitlin but then, I ship Wells with everyone, so no shock here. Anyone noticed that it’s the…

I’d just like to add “Listen to that vocal fry and uptick! You go baby! Get your babyccino! Own your Basic Babyness! I won’t judge you!”

I doubt Zoom had anything to do with Henry leaving, that was just convenient writing on the show part (for some reason). I’m sure it’s Henry Allen from E2, though. Biggest hint this episode? Robert Queen was the Arrow and Ollie died in the accident, perhaps mirroring Henry Allen becoming Zoom and Barry being dead in…

Blaine’s dad wanted him to kill a rival’s son so that he could hurt his rival emotionally and gain business secrets via the son’s memory. Blaine wanted to hurt his dad by making him feel all the sorrow and betrayal his grandfather felt.

But Major isn’t actually killing people (zombies), is he? I don’t know what he’s shooting and tossing in the river, but it looks like he’s just putting the people he abducts on ice. I’m hoping that’s what he’s been doing from the beginning.