Maybe not this week but I like that scenario. Sansa barely has a flicker of emotion on her face.

She's never been otherwise.

An uneasy but necessary alliance for the time being.

As Sansa and Arya have Tully blood as well as the surviving boys wouldn't they come into the line of succession?

The poor girl was just a pitiful pawn, she orchestrated no killings, had no powerful ambitions, daddy just wanted to dump her.

Rolling your Golden Apples?

No.

I was appalled by it too. The cruelty in GOT can be pretty offputting but this was the worst.

Her whole demeanor was mournful.

And hardened enough to do battle with Cersei.

Ditto with Varys and Tyrion.

I was wondering about the dogs too.

Before I set to reading these comments I want to make a couple of my own.
Theon and Sansa hugging each other out of fear and need, but this probably the first time in years she has had this feeling of pure sincerity.
Melisandra's transition from her glamour to her ancient crone state was astonishing to me. She seemed…

Thanks.

"Stay with me Baby", maybe Terry Reid? Not quite the voice I remember but he definitely did a cover of this song.

Point out to him Jules Verne and H G Wells. Victorian Sci Fi.

Sybil wanted something more out of life, Edith has another life in
London. Mary sits & awaits her next suitor. (Oh, occasionally she
puts on tweeds & pretends to care for the estate.)

I do believe Mary's like of Anna is genuine, she needs her sounding board and to exercise some of her better instincts (although, that's been rare).

They both appeared in "The Imitation Game" too.

Edith has had a lot of progress since the beginning. WWI, she learns to drive a tractor and helps out a tenant farmer, even has a beer with him and a mild flirtation. She starts to write a column and gains some success. Her romances are not for the sake of a title. She keeps the child of her lover. She inherits a…