*farts*

Snyder: ...And so in the end, we’re going to have four movies because we have these two and then the two director’s cuts, which are an hour longer each, so you do get a lot more. A lot deeper dive on the universe.

Rebel Moon is so derivative that Snyder should be paying royalties to George Lucas and Star Wars was derivative itself. Rebel Moon is a bad copy of a bay copy of a copy. Calling it an “homage” is justifying plagiarism as “inspiration”.

And yet The Forever War, complete with its totally cool twist ending, still has no adaptation. (And guess what Hollywood: the book’s length is a “good fit” for a two-hour movie. It’s a win-win. IF it’s ever adapted.)

Exactly. Movies like The Flash and Rebel Moon aren’t disappointments because nobody actually expected them to be any good.

I’d love to see someone make a big sci-fi/space opera movie like this, except the hero figure they all have to rely on ends up being MacGruber.

Snyder fans love this shit though. They don’t want to think about what the characters are feeling (most aren’t very interested in how other people are feeling in-general), they just want to move on to the next overshot tedious action scene. 

Calling Snyder divisive instead of universally disrespected as an artist severely lacking in both skill and talent except for a bunch of psychotic sycophants that make his work their entire identity is the most generous thing anyone that isn’t them will ever say about him.

May The Farce Be With You Zack!

This ain’t your granddad’s Battle Beyond The Stars!

It sound like a game of Snyder Bingo where every card is a winner.

Imagine getting carte blanche and full creative control to do whatever you want...and still create a “director’s cut”. This guy and his fans are clearly in love with their own farts.

But-but the “Star Wars cantina” scene is set in a brothel! What better illustration of Zac Snyder’s deconstructive genius could anyone possibly need?!

That System of a Down-esque shit in the background of this trailer makes me laugh, which is probably not the intended effect.

trades in the aesthetic trappings of those classics without making the effort to engage on any emotional or philosophical level.

Rebel Moon is a limp, soulless regurgitation of tropes stolen from much more formidable films.

I really hope you don’t get butthurt about history and reality yourself because bad history is bad and people who repeat it should be ashamed of themselves.

your memories are definitely stored somewhere

I assumed he would blame all of it on method acting. After all, wasn’t Meryl treated like shit on the set of Kramer vs. Kramer in order to get a “better performance” from her?

I wonder if Hoffman will blame any of this on method acting.