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God bless Bobcat, Kang will be sad when the mobs of credulous, easily-manipulated ‘woke’ citizens decide to burn his entire brilliant and deeply-offensive filmography based on the whims of a couple of rapists playing a prank.

Gunn wasn’t ‘called out’. He was FIRED FROM HIS JOB for a bunch of goofy offensive jokes that have nothing to do with his professional behavior. No one has ever come forward to claim that Gunn actually endorses pederasty, or that he’s ever coerced or mistreated any of his co-workers or employees.

Kang remembers seeing a sample of Reign (probably online)... and not only did it come across as a shameless attempt to Frank Millerize Spider-Man (even the art is specifically derivative of Miller/Varley)—which is already a terrible idea--  it’s a Frank Miller knockoff made at least a decade after anyone thought Frank

So is Kang to assume Disney will now change their corporate name so it no longer aggrandizes the legacy of a frozen anti-Semite?

well, excuuuuuuuuse Kang.  He’s a time-traveling badass, not a Ricky Gervais scholar

Kang has a brilliant fucking idea— how’s about you actually watch the segment instead of JUST TAKING SARAH PALIN’S WORD on what it contains?

Except that quote belies how method Ian McKellan’s technique actually is. He famously tangled with Helen Mirren because of how method he was, while she was more about straightforward professionalism. Ian McKellan (it is claimed by one of his co-stars) actually once shit his pants in-character during a stage

At least Betty Gilpin got nominated for GLOW. Congratulations, Earth-9376521. Kang spares you to muddle through another year.

Those first 38 issues of Spider-Man are still some of the most perfect comic-booking ever. None of the garish, overly busy work of later artists has ever managed to equal the clarity, weight, and grace of his Spider-Man in action.

Didn’t know about Graves.  But he’s one of the best performers on the show and, much like Gilpin, GLOW has made Kang eager to seek out anything he’s in.  So thanks for the tip!

Yeah, it feels personally sort of bizarre that people don’t get Bash’s closeted journey. Kang felt that season 1’s eye-glitter moment would have cemented it for most people paying attention. Kang isn’t queer himself, but lived through enough of the ’80’s as a child—err--time-traveling conqueror to remember the

Hey guys!  Come look, two nerds are eating each other alive!

Also, Chris Lowell is consistently terrific—as sad and hilarious as the show demands of him in equal measure. Feel bad that he gets somewhat lost because there are SO MANY great performances and characters to choose from. It feels like Bash is kind of the show’s secret weapon.

Yeah, he’s SO GOOD. And nails the drama so hard that you forget how funny he can be.  The moment when he just... hands the gauze pad to Justine.  Golden. 

‘You did see Back to the Future!!’

Kang’s only criticism of Season 2 is that it can’t really match the sheer joy of watching Ruth and Debbie ‘discover’ their wrestling personas.  But it’s unavoidable-- They can’t repeat their ‘origin stories’.

LaToya, you are the best reviewer on this site and Kang for one is delighted you’ve been paired up with his favorite show. Ugh. Now I gotta do something really bastardy to balance out all this positivity.

Full disclosure: Kang is male.

YES. This is the best show on Netflix, and it’s not close. If you like superhero narratives, classic ’80’s sports movies, terrific acting, and actual CHARACTER-BASED ensemble comedy, you will love it. It takes all the best aspects of those genres and remixes them with a feminist base that is funny, heartfelt and

Had the exact same reaction to Season 1.  Came for Alison Brie (and she’s as great as ever) but holey moley Betty Gilpin stole the entire show for me.