No. No. Do NOT pretend to think maybe you’ve been pronouncing it wrong! That’s possibly the most patronizing option!

Gotta be Return of the Living Dead. At age 6, pretty much every aspect of that movie blew my mind wide open, and the soundtrack was a huge part of that.

Yes, “second and third sequels” would be the third and fourth entries. I’m glad I’m not the only one bothered.

My understanding is that she only created the “character” of Roseanne. Matt Williams is credited as creator of the original series.

Met him at a Return of the Living Dead 20th anniversary screening. Very nice man.

It’s a feature length montage that doesn’t spend enough time examining anything to have an actual perspective.

Fair enough.

We’re taking the letter-writer’s word

No place in your heart for Monty Python’s Flying Circus, The Kids in the Hall, or The State?

Yeah, it was a great cast, but the script was meandering. Neither the plot nor the story had any real shape to them.

Why do transcriptions of his quote say “#MeToo”? I’ve listened to the clip, and I don’t hear him pronouncing a pound sign aloud.

They’re both censorship; neither of them is government censorship.

I always thought of Deep Rising as his only good movie. Then I found out that, no, in fact Deep Rising is the good Stephen Sommers movie, leaving me with no Paul W.S. Anderson movies to call good.

Just used Ran the other day in one of those “10 movies that impacted you” FB things.

Kinda sounds like the guy doing the “dramatic reading” doesn’t get the tongue-in-cheek tone of the text.

It’s a mocking question, because the word for a person who plays the cello is “cellist.”

I dunno, as a kid at the time, I was into the Burton Batman movies in large part because of the psychosexual horror and disfigured bodies.

There are definitely movies I like and consider trashy fun! I’m a big fan of the Friday the 13th series. Switchblade Sisters is definitely a favorite of mine. Starcrash would rank pretty high on my trash-o-meter, and I kinda love that dumb little flick.

But TFA also sets up a character arc that requires her to get over that obsession with her own parentage. If anything, the problem is that TFA wasn’t in sync with itself.

Yeah, I’ve never been able to get any sense of scale in King Kong Escapes.