Corey Feldman is above the virtual fold on the AV Club once again. At first, I assumed I was looking at a cached page. But, no, this is new.

I thought they were from Vallejo.

I've always enjoyed this movie—I saw it in the theater when I was a kid—and wasn't aware that people looked down on it until recently. (An Australian friend called it "shit-house," and at first I thought that meant he liked it as much as I did.)

Huh, I like Beyond Thunderdome. Always have. I saw it in the theater when I was a kid.

I think it's fair to say the violence of Turner's rebellion, violent though it was, was tiny in comparison to the violence inflicted by the slavery industry.

That sort of limits their options for saying "to descend" in a cool, exclusive way.

Zelda is terrifying.

I just can't accept Andy Lau's nice suits. I lived in Hong Kong for five years and never saw a police officer in tailored clothes.

That was my reaction, too. The Coen Bros are a perfect fit for Charles Portis' sensibility.

They're always playing this band's music at my local grocery store. I didn't realize these hateful songs—Go Big or Go Home, Best Day of My Life—emanate from a single source. I assumed that popular music just sounds like this now, all banjos, woah-oh-oh-ing and white people using hip hop slang.

I saw them back in the late 90s with Soulfly. Neurosis was opening.

Why, Black Phillip, the familiar of an ancient Satanic witch.

Doing another genre deconstruction? Creative stagnation. Remaking a 17-year-old movie? Creative freshness!