Who gives a fuck about spoiling? MST3K is pretty much an unspoilable show. Just fucking spoil it already.
Who gives a fuck about spoiling? MST3K is pretty much an unspoilable show. Just fucking spoil it already.
And they'll all vote for Trump in November, to fuck the world one last time before they die. Has there ever been a worse generation?
Yeah, she seems to have met everyone (and possibly more). Although her 70s amnesia could be a detriment.
She seemed to imply she banged Elvis too. And Tom Jones. And the entire rat pack.
Tarantino wrote the original script. I think once Stone was attached it was rewritten, but you can still see Tarantino style dialog in the prison sequence at the end, especially. But I really don't know how much was kept from the original, so maybe it's just in my head.
Films have been kind to Cohen. "Suzanne" is used during one of the title cards in "Breaking the Waves." There's also "Everybody Knows" in both "Pump up the Volume" and "Exotica." R. W. Fassbinder seemed to be a fan too. I think he used him more than once, but the only one I can recall at the moment is "Bird on a…
Trump bringing up Bill's infidelity will be his own undoing. It would be a bad move for him, no matter how he comes off doing it. Hillary bringing up his in return would be idiotic as it would cede the high ground and bring her down to his level, ensuring the post debate narrative will be "candidates engage in mud…
I agree that he's a great poet and I've always seen him as probably the best pop lyricist ever,but reading a poem and listening to a song are different experiences. He allegedly wrote 40 verses to "Democracy." I'd love to read them, but that doesn't mean I want to spend a half hour listening to them when they come…
"Burn" and "March of the Pigs" hold up incredibly well. Honestly, I can't listen to "The Downward Spiral," though. It just reminds me too much of all the overblown angst, melodrama, and silliness of being being an adolescent in the mid 90s. It's really an album that I hope most of its original fans grew out of,…
I've always prefered the edited down versions of Cohen's "The Future" and "Waiting for a Miracle" from this soundtrack to the album cuts. Those songs didn't need to be 7 and 8 minutes long, respectively. "The Future" (the album) has a handful of good songs on it, but every single song on the album is 2-3 minutes too…
I read the first few and they never held my interest. Maybe because they are written for very young audiences (much younger than Harry Potter, even), but also because they just seemed kind of empty, not very thought out, and the writing wasn't great. Maybe the series gets better and/or more elaborate as it goes…
This looks like something I would like, but I've never even heard of Seeso until just now.
Really? What's he do?
Is that what people from Baltimore sound like? He sounds almost Southern, but not quite.
Interiors is a lesser Allen movie because it's such a rip off of Bergman, only lesser, that it plays almost like a parody. I've never thought it was a good film, and I love both Bergman and Allen.
He really said that? Yeah, fuck this guy.
That's true with plumbers too. If you call what they do "rape" they get really fucking pissed.
Being all cool all the time is pretty boring for a character, though.
That's how I feel about all Netflix Marvel shows. They are always good for a few brilliant individual scenes and often have good ideas, but are never terribly good as a whole.
Someone explain this sentence to me: "consider why NBC’s The Wiz Live put a hard stop to the tradition of using live musicals in social media stoning rituals." Were musicals used in stoning rituals? What does that mean?