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Juan_Carlo
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I don't know enough about GQ to tell which are the originals and which are the "flipped" ones. They both look equally bland.

Fences looks legit good too. Not just "good enough to fix a Oscars PR problem." "Moonlight" does too, but it seems like more of the sort of movie that the Oscars would give just a screenwriting nod to, if it's lucky.

Honestly, don't understand why he keeps doing interviews. If he wants a career in Hollywood he should have just given a half assed apology, laid low, and concentrated on making movies. But it's like he still thinks this will all blow over and he can be Denzel Washington. By going on 60 Minutes all you're doing is

That's the humor of it, though. If Mr. Garrison was just Donald Trump, but exaggerated, it wouldn't be funny. Instead, Mr. Garrison is both Donald Trump and a meta-commentary on the absurdity of the fact that Donald Trump is a viable candidate…all delivered in the persona of longstanding character in the show's

Good point about the dramedy. I was much more into the plot machinations last season than I was ever into the comedy. I feel like Parker and Stone kind of just want to write highly serialized TV like everyone else is doing now, comedy less so. I'd mind the lack of humor more if the show hadn't been on for 20 years,

You get a gold star for the day (seriously, I'm not being snarky. I find this sort of info interesting). My fantasy has always been being employed as a network researcher, ala the film "Desk Set." They used to have whole teams of researchers employed at NBC, CBS, and etc. just researching basic facts.

The movie may be cliche, but there's nothing cliche about that review title! Apparently we are allowed to have fun with reviewing movies by rearranging words in their title to poke gentle fun at them in a sassy but still approachable manner! Who would have thought?

This interview was great though because it makes an obvious point that people forget too much: Meatloaf isn't a musician, he's just a performer of, mostly, Jim Steinman's music. SO when people say they hate Meatloaf, what they really mean is they hate Jim Steinman. Steinman can be unbearable, but I like him in the

Hopefully the twist is the main character realizing there's no such thing as multiple personality disorder.

He looks nothing like Dacid Cross. He looks more like Tony Hale.

I have to agree with CineCraft here. I am sick to fucking death of dramadies about urban upper middle class people and their first world problems.

I watched all of season one and first part of season 2 before realizing I hated the show. I don't mind flawed characters, but these guys are just fucking aggressively hideous and self-absorbed. It's odd that a show so touted as being ground breaking for the trans community all comes packaged in a (probably

Yeah, no problem. I actually agree with alot of what you are saying in that I've often thought, recently, that schools (preferably kindergarten and 1-2 grade) level need to go back to teaching some kind of basic and quite formalized social etiquette, which I think could include stuff like emotions. People just assume

How can one's social media life not bleed into your real life? Provided one uses their real name, someone making fun of you on facebook is just as public a forum as someone making fun of you in front of everyone at school. You could delete your Facebook account, sure, but social media is such a fundamental part of

As someone who's suffered from profound depression, which will often appear or disappear regardless of if my life is going great or not, your claim that "we can choose whether or not we let our feelings rule us" is total fucking bullshit. At its worse it's almost more like an emotional seizure, an electric storm that

Nah, everyone knows mushroom ale is brewed exclusively in Avernum.

He's not really, anymore. Who needs to pay Tucker Max to say misogynistic things for them when you can do it yourself anonymously on twitter?

But then again, don't we all?

Yeah, I remember the trailer making it look like it was shot on a digital camera from the early 2000s when digital cameras were first coming on the scene and they had a very specific, cheap, look about them ("The Anniversary Party" and "Chuck and Buck" come to mind, but there were more). This movie was made long after

I dunno, from the sound of it it's pretty standard, Disney, family movie fare, elevated by the performances and Mira Nair. I doubt it was a massive financial risk or anything. Seems totally in their wheelhouse.