jroxy13--disqus
Jennifer Allen
jroxy13--disqus

@avclub-6ee934260c80f2e2f9098dcd3e44c032:disqus I was thinking of you the other day, and in particular, your comments on this show, which are incredibly eye-opening. I hope you wouldn't mind me asking about the topic of pets. Are you able to own a pet - it seems given the need for connectivity this might be ideal, but

I know I'm replying so late that you'll likely never read this, but Minneapolis doesn't have a subway system installed and never has. There used to be an extensive streetcar system, most of which has been pulled up, so that might be what you're thinking of.

I wasn't policing or persecuting Moss's accent. I didn't say it was off-putting. I didn't "jump on the American," dude. I was just making a comment on this episode. I mentioned it because I was talking about Moss. I didn't say that she needed to correct it and I didn't give her a demerit; I just noticed it. I wasn't

The acting by Moss in the episode was great, although her accent really went sideways a couple times.

I, on the other hand, think Miller is supposed to be a creeper. There was that whole scene where Carrie warned Dorrit not to change because a guy tells her too. Plus, given the age difference in the actors, which creeps me out when they kiss, I can't imagine they want to keep that relationship going into next season.

I need these recaps McGee! Keep me on this site AVClub, instead of forcing me to go to Vulture, where the recaps (minus their AI ones) aren't nearly as satisfying.

Hollis's daughter was equally terrible. That was not a gripping opening to the show, and I will not fanwank it that it's because the daughter wasn't a good actress!

I'm no seamstress, but just think about how much some of these designers struggle to put out sleeveless dresses. Then think about designing three pieces - two with sleeves, which requires a lot more work. Add to that, the extremely odd fit because of the build of these men - and adding panels for the velcro would make

I had to give this an A. Luckily, I'm no longer engaged with this show, and thus, I was not invested at all. As an actual example of a quality award-worthy show, this episode was terrible and should be enough to finally beat the idea that one-day challenges are horrific for design output into the producers' heads. But

I think it's much better than The Mentalist. Patrick Jane is the wrong kind of smug and Lisbon is a big ninny with very little brain and the only agency she is given is for things without consequence (take her smashing the puzzle in the last episode). Really pleasantly surprised by Elementary.

I think it's much better than The Mentalist. Patrick Jane is the wrong kind of smug and Lisbon is a big ninny with very little brain and the only agency she is given is for things without consequence (take her smashing the puzzle in the last episode). Really pleasantly surprised by Elementary.

Many of the previous seasons had their own nicknames and body gestures/symbols - you probably heard "4 real" a lot in season 4.

Many of the previous seasons had their own nicknames and body gestures/symbols - you probably heard "4 real" a lot in season 4.

I think it proves that the teenage girl voting bloc is dedicated and focused on one person. The rest of the people who vote are split among many different contestants. Once it gets to later in the season, the other voters are larger and become more unified, while the teenage girls are still the same size.

I think it proves that the teenage girl voting bloc is dedicated and focused on one person. The rest of the people who vote are split among many different contestants. Once it gets to later in the season, the other voters are larger and become more unified, while the teenage girls are still the same size.

Michael Ausiello has it listed as "Could go either way" on his renewal scorecard.

Also, buttermilk.