Roman is so broken and emotionally unstable that, for seemingly the second week in a row, he was savvy enough to figure something out while not realizing he had figured it out.
Roman is so broken and emotionally unstable that, for seemingly the second week in a row, he was savvy enough to figure something out while not realizing he had figured it out.
He may be kind of a prick, but he was smart to borrow from Graham Norton and interview his guests together.
Counterpoint: Skull has 100% more Marion and at least 50% less racism
I have been banging the “Temple of Doom is much worse than Crystal Skull” drum for a long time.
As soon as they make an alternative that isn’t absolutely fucking revolting, I might consider it, but I’m still getting my red capped bottle every week.
I actually thought Roman had made a good realization.
I can’t wait for dummies to whine about Q showing up after he died.
Doesn’t feel like Corden, he also likes to do filmed bits and other goofarounds with folks.
I’m sure it’s been brought up elsewhere, but I’ve never heard it.
Little disappointed Bad Day didn’t make the list
He proved he actually could do the voice in the commercial, while also demonstrating why it would be annoying for 90 minutes.
I do hope Alan Ruck finally gets some recognition from this show, he’s too often left out like poor Connor is.
I’ll give him this much, he won the Tony for One Man, Two Guvnors, against stiff competition (James Earl Jones, John Lithgow, Frank Langella and Phillip Seymour Hoffman) and, having seen the show, he deserved it.
Mostly what I’ve heard is that Pratt does at least a decent job but the rage at Pratt for “not really trying” should have been directed at Rogen.
O’Leary is indispensable for two reasons.
The first mistake she made was calling him an Oscar veteran, when he’s never been nominated, which might come off as a dig.
Farrelly has a long history of employing the differently abled, and has generally been extremely respectful.
Birdcage was 1996, not 1994, get it together.
“Not from a character arc standpoint and definitely less so from a sitcom narrative one.“
And yet nobody has an issue with the fact that, unlike Chris, Charlie Day doesn’t even sound like he’s trying to sound Italian or New Yorker.