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tmirus
johseb--disqus

I dig!

Right after that scene where he tells Jimmy to just embrace the fact that he is someone who hurts people* and then tells him he never cared about him, I thought, "This is the moment I stop being fascinated with this character - where can he possibly grow from here? He's completely dead inside." So I really think it

Better Call Saul writer Gordon Smith: "There’s a strain of thinking in our current TV culture that, in my opinion, prioritizes so-called ‘existential threats’ too much. Not knowing if any given character will live or die is supposedly the highest compliment one can give to a show. To me, this privileges surprise and

Donna says Chuck's phone call to the doctor is part of a plan to get Jimmy, but in a couple different interviews on the AMC website the writers say that it means Chuck is finally ready to acknowledge that he needs help.

I wouldn't worry about it - he doesn't say anything racist as far as I remember. (Alan Alda got all the racist lines.)

I heard an interview with Amy Poehler a while back where she mentioned how Louis makes women feel very safe and comfortable with him, so… there's that, FWIW.

About 17 minutes in, a guy I've known since 4th grade walked on screen. Almost gave me a heart attack because it was completely unexpected (presumably everyone had to keep their involvement secret). He played the friend of the liberal kid DiPaolo was arguing with.

I stopped watching Louie during season 5 because I thought it had just gotten nihilistic and sadistic. FWIW, I really liked episode one of Horace and Pete. I didn't find it depressing like this article says - it's just very melancholy. But it feels like it has meaning so far.