Lapper was pretty good…except all that going around and around made me dizzy.
Lapper was pretty good…except all that going around and around made me dizzy.
…and Loopy was too damn crazy.
Shraftt's…he's the man with the plan…and a knickerbocker glory.
So, basically, the guy jacked a yard-sale…wow…that is gonna get him some mad respect in the joint, yo..take note, bishes: this is how you do crime.
That he's a rapping Muscle Mary who's gone really long on bitcoin?
People who make puns should be drawn-and-quoted…
You're right; my mistake. I haven't watched it in years. It's actually the home invasion scene. My more general point stands, though…
I was especially charmed by:
Good call. I always liked that film and only recently realized that it was directed by Shane Black (from his own script), the Lethal Weapon guy.
There is a great story about Wayne's bit-part in The Greatest Story Ever Told. Wayne had the role of a Roman centurion at the foot of The Cross.
His one line in the picture was: "Truly, this man was the Son of God."
Funny you should say that because it was one of my Dad's favorite films. He first sat me down to watch it when i was about 10. He was a man of absolutely stainless integrity…not at all like me. All together now:
Not 'bad', by any means; it does, however, kind of render it less effective. If you haven't seen Kelly's joyous, sparkling, upbeat performance, the full irony of Alex singing it while kicking a bum to death is lost, I think.
Where, on this Terpsichorean scale of niceness/creepiness, do Jimmy Cagney, Buddy Ebsen and Donald O'Connor (who all started as hoofers) stand?
The incomparable S.J. Perelman described Moulin Rouge as the '…sight of Jose Ferrer, fore-shortened and busily polluting the memory of Toulouse-Lautrec…'
I just downloaded the whole series (thanks, Obama!) but haven't seen any of it yet. I've always enjoyed Welliver's work and I'm a big fan of the books. In the books, Bosch is an afficianado of the cool, West Coast stylings of Gerry Mulligan, Chet Baker, Shorty Rogers and Art Pepper…as am I and I'm the same vintage as…
Robert Zemeckis directs Brad Pitt in the film of Bulgakov's classic novel The Heart of A Dog (slightly updated, natch).
The Pitt and The Pendejo, a documentary about actor Brad Pitt's attempt to make a film with fellow dimbulb and cine-vandal Robert Zemeckis. Fast-paced hijinks ensue!
Switch the words around and they make about as much sense. Criminal Behavior: Suspect Minds; Criminal Suspects: Minds Behavior; Suspect Criminals: Behavior Minds
You won't find any flies on the Missouri State Film Board, buddy.
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