So they're not slaves, they're just women who are dressed up. So someone on Twitter recorded the TV on their phone, posted to Twitter, got everyone worked up, Wheel of Fortune apologized (I'm not sure why), and now we've all pivoted to Sajak's crazy rants. OK, carry on with the outrage.

The New Gods will ultimately fall to those scrappy Chocobos.

Not bending to the cries of fans makes me VERY VERY happy. There is a very disturbing trend of creators and writers changing things that the audience doesn't like. It's always been the case in TV and movies, but with the internet, it's gotten out of hand. Like I always say, "If you don't like what the characters in…

If there is a Heaven, there's probably a lot of slut-shaming going on. I find pious people to be judgmental.

Yeah, Lost Highway ended the way it did because Fred was coming to terms with his delusions and owning the fact he did kill his wife, and didn't magically turn into a younger, cooler, more popular version of himself. Blue Velvet and Fire Walk With Me have happy endings (more or less, with chipper mechanical birds and…

Well, I knew she was real as The Missing Pieces had Cooper talking to her (she's off camera) at the Bureau so I was OK with her being a real person and getting a face.

The slow pan up and down of the barrier is so CREEPY. It's just him sitting there, but there is a palpable sense of fear when it's going up and down. I know it's been said a lot, but Kyle MacLachlan is doing his version of an Orphan Black tour de force!

Yeah, he wanted out of jail to save himself, and he wanted Ray out of jail so he could kill him.

Everyone in the hand-wringing community was ready to anoint her the "shrill wife" stereotype. I seriously hate this need to immediately categorize characters (especially female and/or minority ones) as either good or "problematic". Let the goddamned story play out a bit!
She was never shrill. She was acting like…

I thought Beverly and her husband was a very real look at that sort of situation. It's not black or white, it's just life, in all it's sad and dark glory.

In the finale, Norma didn't seem too worried about her. Even her sister was like, "Meh, Annie's missing."

I suspect lamp.

Not to mention the ominous, dark sound/music coming from the guy's house (white) later in the episode after he didn't show up to meet Andy.
I also found Andy being competent at his job to be a nice surprise. I mean, he had to learn the basics of police work over time.

It's just Lynch slowly rolling out the cast in a way that makes sense. If he DID mention Audrey before it made sense, everyone would be on his ass for "clumsy exposition" or whatever "trope" armchair critics love to point out.

Evil Coop: "Of course, if Audrey said no, then obviously the answer would be no, but the thing is she's not going to say no, because of the IMPLICATION…
and the coma."

EW and AVC are the same thing at this point. EW used to talk about entertainment news, and now it's just a bunch of social mindfullness hand wringing.

EW is another arm of the AVC social justice wankfest now so it's a sneaky way for AVC to say, "We didn't watch it out of principle because we're good people, but here's what EW said about it."
Which is bullshit. I bet writers here watched it but just won't admit it. But hey, second hand reporting for the win, right…

Yeah, I always figured he was the lumberjack in the FWWM movie. The Judgen Prochnow (butcher his name) character.

I really liked a lot about the Ben and Beverly scene. It was ambiguous whether it was the electricity or the wood that was vibrating. When Ben puts both hands out, Beverly looks down at her chest, because it looks like he's going for a two handed squeeze, but he doesn't. On top of that, she tries giving him non-verbal…

"I thought she wuz in Hawaii."
"A lot of people think a lot of things about Hawaii."