Dang, I guess I’m in the minority who was significantly bummed by this episode. They did such a wonderful job of capturing the granular details of the megachurch world in the first episode only to leave it behind to do a coen brothers esque caper. Just didn’t have the same qualities that really impressed me in the…

Oh shit he thought this was the review of Ma. 

Also, I don’t really see how these NPCs could be more fleshed out without thousands more “crunch time” hours.

That big reveal is always gonna stay with me. One of the most genuinely shocking moments I’ve seen in a film, because nothing prepared you for it. Anyways, it’s got my pick for best film of the year. Its energy and vibrancy is infective.

So its pretty much a Wain comedy without the self-awareness? Woof. 

I feel like culture has moved past the Oscars. Get Out, Black Panther, and DAMN. havealready been cemented as cultural touchstones. Art which features themes of unapologetic blackness has been elevating the mass’ consciousness. The cultural ubiquity won’t go quietly through the night; I have a feeling it’s here to…

Yeah but can you fuck a robot?

Oh, come on, I’m sure some people give a fuck! It just so happens that all those people work in the Editorial department for Rolling Stone

It’s already out! They spend about ten minutes convincing you that:

Does the dialogue get any better? They swear like fourteen year-olds. They also deliver exposition like it was written by fourteen year-olds. Some funny jokes, but like... Been there, done that for most of the jokes inthe show.

I’m not sure if it would be worse or better if those dudes just drastically misread Paul Beatty’s “The Sellout”

I’m worried that this movie will be the most misunderstood film of the year. To me, this movie is a brilliantly subtle satire of white privilege and the futility of self-important, high art posturing from people who fail to see the true problems in the world. It’s not a coincidence that this film opens with footage of…