This movie is really like a completely inept attempt at creating an Almodovar type movie. He does this kind of thing so, so much better than Ford could ever dream of.

It's absolutely brilliant. Though it makes it incredibly annoying that Cartoon Network doesn't even play the credits music when the episodes air. Makes you appreciate how much effort they put into every aspect of the show though, even when a lot of the audience might not realize or appreciate it.

I saw Dear Evan Hansen when it first opened in DC! I'm curious as to whether they've made any changes or reworked things. I liked a lot of the music and the concept, but that second half was really a complete mess with a ton of padding. Still it's definitely well worth checking out, and the staging was very cool when…

They clearly didn't even drop the perspectives in the hurricane episode either, the whole thing felt very heightened and filtered through the character's experiences, even though we didn't get the title cards.

Especially since the first season of GG is a fantastic, near perfect season of television.

Easy maybe, but incorrect. The Zeus analogue is clearly Odin as far as his role and personality goes.

The problem with recent Disney vilains though is that they keep featuring these mysterious villains who are introduced as a "twist" near the end, which allows for the final act to serve as a traditional hero versus villain conflict, only with no real character development or investment in the villain. It's pretty lazy…

I enjoyed Repo Man and really loved Sid and Nancy… are there any other Alex Cox movies that are must sees? He really had a very strange and unique directing style, too bad he kind of receded into the background over time.

Isn't there a rule about wizards not being able to apparate places they can't visualize? I know that apparating long distances is considered very dangerous and can go horribly wrong.

The twin's completely lack of personality and willingness to go along with whatever without question really bugs me. It just makes them feel like nothing but the blatant plot devices that they are.

Yeah the mourning for Tyler was pretty silly, and they didn't really tie any of it to Tyler's character, outside of his letter to Matt. When you've got people like Stefan and Alaric eulogizing him, you know that the writers are being lazy. This show has gotten weirdly bad at recalling and maintaining the character…

Yeah that really bugged me. The whole thing would play so much better if he'd basically forgotten about Elena at this point, which would set us up for the heartwarming moment when all his memories of her come flooding back later in the season (not that I'm a Delena fan but the show's big romantic moments tend to…

I mean they've made enough animated movies to keep it going for quite a while. I'm wondering when they move on from the "classics" (a bit of a stretch since they're already doing 90's movies) and just make a live action version of Frozen or whatever.

I don't care what anyone says, Dowd uses A grades the right way. When he gives an A it fucking means something, and that's how it should be.

Most of the big zombie shows right now are comics based actually. Two birds with one stone!

I knew this wasn't going to stray far from the Disney animated version, but from this trailer it looks like it's almost a shot for shot match, and I'm pretty sure every line of dialogue here is identical to the animated version. The Jungle Book worked because it went for a much looser approach, whereas here the lack…

For some reason trailer producers hate tipping their hand that the movie they're advertising is actually a musical. They pretty much always cut around the songs.

If you're talking about the discussion post thing, it's likely because TVD has a pretty passionate and talkative fanbase, but it's not really big enough to justify regular reviews any more. The show also received mostly regular coverage (minus about half of Season 6) since 2011, so it's a bit of a legacy thing.

This can be said of every Harry Potter movie though. Even Deathly Hallows Part 2 felt really rushed and elided over a lot of major plot/character moments. Kloves really seemed to struggle with condensing the book plots into coherent scripts.

I was talking to someone at work who said she loved the first two movies, but thought they got a lot worse starting with Prisoner of Azkaban, which was of course the weakest of the movies. I kind of blew her mind by saying I liked the later movies much more, and that PoA was my favorite of the lot.