“- I found the whole ep 17 climax very odd...was it a parody? Ironic? Cooper running in but only to just sort of stand there while Freddy punches the Bob Ball. If his face wasn’t superimposed on the whole ending of that scene, it would feel kind of pat, but instead it felt unsettling.”

To me the whole Audrey-thing is like an authors meta-reflections on writing: how to write this character, what to do, oh, nothing can be done, back to the white room, back to emptiness. Sort of postmodern. No foreshadowing, not even sideshadowing. Just shadow. Sort of seen before. Except from that I was very pleased…

Thank you, Emily Stephens, for your wonderful guidance throughout this beautiful semiotical labyrinth. However, I’m not sure that i agree on your analysis of Cooper’s motivation for entering the Linda/Richard/Carrie-realm. He is not himself telling us explicitly, but maybe Gordon Cole is. To me, at least, it seems as…