It’s disappointing because each of the films cited cost at least $200m and at least half as much again to market, and it looks like none of them will match that in grosses.

You might want to Google Michael Barrymore before you leave number 8 for too long.

Never mind, it’ll win a Grammy next year.

Lorne Michaels continually invites on bigots like Trump, Musk and Chappelle, signal-boosting and normalising their disgusting behaviour.

Would it be considered inappropriate to pump mustard gas into their air conditioning?

He really should stop introducing himself like that.

Get Out and Us both made their budgets back on opening day. Nope took more than a week, and it’s still not in profit - although it’s yet to roll out in much of the world. That said, a $68m film still not breaking $100m after three weeks is not “solid”.

RIP Zoe.

It generally got about 3.2m viewers during the last series, and frequently fell outside the top 30 for the week. Not really enough on its own to justify making any more, unfortunately.

Nice to see Cameron getting his excuses in early.

Except, as I said, the article is about policing in the US.

Why the British picture in a US story? First GIS result? 

Why would they want to film in our shithole country?

Vice was the first movie I walked out from in 15 years. It was like a junior high debate team put on a pageant for the midterms. I couldn’t believe people were treating it as a serious film with anything worth saying.

Edgar Wright needed his name on that poster eight times.

“Reminiscence is about a hard-boiled detective”

That story’s based on nothing and has already been refuted. Top journalism.

Columbo remains highly popular in the UK as well. One free-to-air channel airs a 12-hour marathon every Sunday.

And thus, very true to the original.

The KTMA season covered Phase IV, Saul Bass’s trippy, massively over-designed 2001-but-with-ants sci-fi drama, which is perhaps not a masterpiece, but too interesting and ambitious to be considered in any way *bad*.