That was my initial thought, too, and here's why: In Episode 10, Cisco and Barry vibe to Infantino Street, and this time see something new: H.R. standing on a roof with a rifle. This is when he decides that it needs to be Kid Flash that saves Iris.

Why not take her to Supergirl's universe?

Thanks for this - I assumed that the line had some relevance, but I couldn't remember specifically!

I completely agree with you on the elevator scene. And, as much as I loved it, the scene with the electrician - cut those out, rely on the audience to remember where Draper is going, and just have her show up in the nick of time. Use the spare time to do something a little more badass than slow mo clips of the fight…

I thought that was a great thematic overlap with what went on over on the Roci - Amos's loyalty to Holden because he can be confident he's on the right team echoed that aspect of identifying and committing to good leadership.

I really found it sad, too - the acting and writing was good enough to make their characters feel lived in after a really brief period, to the point where I really didn't want them to die. But then, becoming a parent has kind of ruined me for this type of stuff.

I think the text us gives us more than enough justification for this interpretation. Music Meister is elsewhere shown to be virtually omnipotent, including his ability to waltz out of a cell with the defining feature of "it can hold anybody with any power." From this, there's no reason to believe that Kid Flash &…

I think you're right - and I think that the episode contained a veiled admission of such. Whereas Mxyzptlk gave his in-universe background, Music Meister basically said "you all wouldn't come close to understanding where I'm from… I'm from the writers' room, and was created simply for purposes of this episode and to…

And you have to remember that he moved in next to them, not the other way around. The magnitude of that coincidence is so great as to effectively dispel a substantial amount of otherwise valid suspicion. Honestly, the coincidence is one of the biggest problems I had with the show early on, although it's been…

The alacrity with which she saw through it and called her dad out momentarily made me think it was a misdirect, and that he was really sick - but no. Just an uncharacteristically stupid move from a supposed genius.

I really liked that response as well! It's seemed like a more natural reaction than any sort of immediate denial would be, and the line reading was perfect.

Ha, that made me think of the time Moira shot Oliver. Good times. Simpler times.

I thought so, too, but I think they actually refer to several of the leads as the past tense. Everything else seemed to be so studiously geared towards obfuscating the victim, I think these confessionals are likewise geared to keep that a mystery at all costs.

Don't forget murder!

I thought Felicity would have been the one that drops all sorts of statistics and studies about gun violence *while* trying to shut down the debate.

It struck me as somewhat ludicrous that *these* vigilantes especially would be having these discussions, as a good portion of them use guns daily. There's also a bit of hypocrisy of any of them being for a gun registry - I mean, would they list all of the guns that I assume are in the Arrowcave? Are those things…

I agree - I don't know how much of acting comes from experience, but Perry's been doing this for almost 30 years, and he can make a character seem lived in and real without that much assistance from the writing.

As far as relaxing and unexpectedly addicting cooking channels on YouTube, I have been watching a lot of Food Wishes. It's rather pleasant.

Winn: I'm not a redshirt…
Other guy left with Winn: "That's right, buddy - neither one of us are redshirts…"
Other guy left with Winn: (gets killed)
Winn: (defends self, gets moment)

Oh that's clever. I wish that had been true.