What a belitteling asshole. B-Movies (Horror in general) have had a possible deeper meaning since forever. Often by means of satire through horror. Writers of any genre do not exist or write in a vacuüm.
That ass probably also thinks that scifi is nothing more than “ships in spaces doing pewpew” and fantasy is just…

“Perhaps I was just too caught up in the movie to see the now very obvious foreshadowing of this twist. But fuck! The evidence was right there, and I still gave her the benefit of the doubt. Which makes me wonder if I just naturally give white people the benefit of the doubt. Or women. Or, gasp, white women.”

These people who call themselves critics wouldn’t know good film from infomercials. Anybody who’s studied film at all knows when a filmmaker is trying to say something without having to actually come out and say it, or draw a picture, or take out ad space n a newspaper... I thought this movie was fantastic, and I am a…

The whole interview was horrible. She made sure to say that Get Out is a B-movie and/or not “Oscar Worthy” as many times as she could. It was the first one she eliminated almost every time, it seemed.

White hot rage.

Key quote from that person’s response “They tried to make me think...”

Yeah, I think that’s part of why it stuck with so many people, is so rewatchable, and became such a juggernaut: the theatrical ending doesn’t just vindicate Chris and give y’all a sorely-needed win, it also serves as a final “fuck you” to Rose and everything her family is done. I think it’s a very telling choice that…

Clint gets a lot of shit on here, but there are better targets. His films have an anti-racist slant. He has almost always paired himself with a nonwhite partner, dating back to before that was common or expected, and in the films in which his character is a bigot, something happens that forces him to grow out of it.…

One of the weirder things I’ve seen is white people saying that they liked the movie until it got “bogged down with messaging”. One dude told me he liked everything about the movie except the “blatant” race stuff, and I was like...the whole fucking movie is blatant race stuff! I also feel like they missed the point of…

Reading that whole article is like “Great-Aunt Linda Goes To The Movies.” Besides the recurring dismissal of work by black actors and directors (that comment about Octavia Spencer?!) , they also criticize actors for not seeming romantic enough or for playing unlikeable characters.

Ugh, what’s truly awful is that they can hide their racism under the “horror/comedy aren’t real movies” cloak that they use.

Imagine that: Implying people are racist because of their skin color is a bad idea.

Don’t know the age of this voter quoted in THR, but yikes.

I’ve had more random aches and aliments in the last 12 months than I had in the last 12 years combined. I doubt that’s a coincidence.

As a white chick, I can. xD

Sorry, I know that ending was more realistic and plausible but fuck no we needed that ending. The thought of another black man winding up in jail protecting us from them is more than I could stand. Shit if the movie ended that way the white people that saw it would’ve felt just fine walking out of that theater. The…

Gotta love how, in a film that involves hypnosis and brain-swapping surgery, the most unrealistic element is Chris actually getting away.

I knew for months and months what the alternative ending was and still wasn’t prepared for it when I saw it.

My heart sank SO LOW when the lights started flashing. I needed the catharsis that came with the better ending. Otherwise, I might have left the theater in tears.

I totally agree. Yes, him ending up in jail is exactly how that would have played out in real life. If the cops hadn’t just killed him right there.