Hi, Jim!

Thanks!

I saw AFTER LAST SEASON twice in a row in the Illinois theater where it played on June 6th, 2009. I talked to a number of people involved in making this film and wrote a two-part piece about it a couple of years ago. It seems unlikely that there will be any future release of the film, so good luck to anyone who wants…

I made a list of my own 100 favorites from 2000-2014 on Letterboxd earlier this year:

He doesn't, though.

"It's great, it's crack, it gets you really high."

ASS.

The last two lines of the movie are literally:

Vinegar Syndrome are truly doing The Lord's Work. If anyone is not familiar with their incredible output, I wrote a piece a few months ago in preparation for Exploitation.tv covering ten of their releases that I felt best defined them: https://medium.com/@rabbitr…

I Got You Babies.

"YOU WILL."

That does seem the most likely explanation, but since they showed that one guy getting decapitated with a car door I figured they'd be OK with Daredevil hitting some blind people.

Was anybody else confused as to how Matt escaped the clawing horde of people in Gao's warehouse, or at least as to why we didn't actually *see* him escape from them? Or did my Netflix skip to the next chapter or something and I just missed it?

No offense taken, I was just explaining why I personally felt like it was a misstep. I know a lot of people who really enjoy "Black Rainbow," and we get into this back-and-forth every time it comes up, heh.

Replace "Cheech & Chong's Up in Smoke" with "Friday the 13th Part 2" and yeah, exactly!

You mention "Amer" and "The Strange Color of Your Body's Tears" in other comments, and those are two of my favorite films of the last decade. They do a very similar thing to what "Black Rainbow" does for about 3/4s of its running time, but those films follow through all the way through to the end credits. What is…

To me, this is the definition of a potentially great film that just drives into a ditch. Looks incredible, amazing production design, fantastic score. Then that "pseudo-slasher-film finale" totally breaks the spellbinding tone that Cosmatos had so carefully and thoroughly maintained for the entire rest of the film.…

The trailer for "The Age of Adaline" states that the film is rated PG-13 "For a suggestive comment."

"We stand by our filmmakers and their right to free expression and are extremely disappointed by this outcome."

I was hoping when they canceled the critics' screenings yesterday that they were doing a last-minute retooling to retitle the film "When a Stranger Calls Black" and get Tracy Morgan in there somehow.