God, that reminds me how depressed I was that they walked back Kraven’s development in Squirrel Girl.  It was inevitable from the start, but still.

Love love love that book. Maybe a TV series. but would people just say ‘so like Gotham, but Spider-Man? Spider-Man without Spider-Man’ and not watch?

The point is all of the albums his sister owns are masterpieces, and not just that, but albums considered masterpieces by today’s standards. She doesn’t own one album that’s only okay? She doesn’t have any personal favorites that aren’t popularly respected? No Dionne Warwick? No Monkees? No Tiny Tim? No Tom Jones? No…

Oh god that’s great.

I think what’s amazing about the airport scene is it demonstrates that Don isn’t just some muscled-up force of destruction. Unlike, say, Joe Pesci’s character in Goodfellas (a phenomenal performance, no slight), Don is aware of and cares about the consequences of his violent moods - that’s why he can modulate to deal…

Now do Biggie.

These are all really good points, I agree.

I think they’re being sarcastic about doing anything by prefacing it with their non-tool or killing abilities.  Like ‘I can literally do nothing, so of course I’m going to be capable of leading the revolution’.

Definitely.

Is all remixing and riffing the music equivalent of Olive Garden?

That’s more than fair.  Totally.

Almost Famous is and has always been a terrible movie. It starts off with William’s sister leaving him a box of records that just happens to contain nothing but albums that would be recognized by a 2000s audience as culturally relevant. Of course its Beach Boys’ Pet Sounds or Joni Mitchell’s Blue instead of their at-th…

No judgement, but I kind of hate them. I haven’t watched the above video, but they usually have a tone of ‘isn’t it crazy we’re saying these bonkers lyrics?’ I specifically remember a white boy cover of an Easy-E song that used to get a ton of airplay. I find it cultural voyeurism, in a pretty racist way. I know…

DC Universe added both Injustice and Injustice Ground Zero and the recent Injustice 2 run, and I finally read them all, after hating the premise for a long time. And I loved both Injustice runs. I was worried when Taylor left, but Buccellato was terrific too. So I was excited for Injustice 2, and I really didn’t like…

I was . . . let’s see, 16, and was a Liefeld fan. And I read it and was like “what . . . what was that?” Like I loved all the footless character designs, and thought wrinkles and speedlines were dynamic. But the characters just do . . . nothing. There’s no plot. There’s no action. They’re just sort of introduced and…

This actually might be the best burn of him I’ve ever heard, given how much that show hates women and fetishes intellectualism without actually being, y’know, intelligent.

It’s the fact that people have decided it’s okay for corporations to tell them how and when they can access.

(famously scripting Rob Liefeld’s Youngblood 1)

Not anymore. I don’t like him anyways.