Yeah, what the fuck?  Is money that tight for the idiots who saw CK and stuck around?

Hooray a sexual assaulter directing a movie about a rapist! Just put brother Casey and a bunch of other predators in it - really go for it.

Its so funny, I was introduced to him played the most spoiled annoying character in Dragonheart, which is not a good movie. I knew better to associate an actor with a character (I think), but he was just so annoying and not in a ‘what a performance’ kind of way. It took me years to realize how fantastic he is.

Figured since they weren’t out of the grays. Wasn’t putting that on the real Emilio.  Thanks though.

Oh no I for sure considered that. I just don’t care. Creative disagreements can produce great art - Fury Road’s certainly proof of that. Werner Herzog used to carry a gun to deal with Klaus Kinski on set, and they made fantastic movies together. I don’t think Miller would have to go that far to work with Theron again.

Then rewrite the fucking thing. Theron’s performance is worth changing things to tell whatever Furiosa story gets her back. It doesn’t have to be some teenager story.

I mean, fair, but I would argue Bourne is perhaps not as iconic a character as those I mentioned.  Just my opinion.  And they didn’t have Renner play “Jason”, so that actually kind of supports my point.  But you’re not wrong about film quality.

You know, I’ve thought about it. I trust George Miller, but not having Theron come back to play Furiosa is a huge mistake.

I’m sorry Mr. Jackman.  I am for real.

Well, it takes a lot of people to make a movie, especially when it comes to action sequences. But there’s no point in pretending I didn’t think Singer was a brilliant director. And its important to not act like talented people can’t be rapists and molesters. Reports of erratic behavior on set do not remove his…

I always get Emile Zola confused with Arnim Zola.

Drive-ins.

I really liked Me and You and Everyone We Know when it came out, but my tolerance levels for quirkiness has significantly diminished since then.  So who knows.

“Dying For Pie” is 11 minutes of absurdism that most adults would enjoy (I think its hilarious).

Gregor Samsa awakes one morning to find himself a giant cockroach. He tries to move and his exoskeleton collapses on his organs due to the square-cube rule and he dies.

There was so much potential in White Knight and the art is of course great (though I think his high point remains Tokyo Ghost). But man, other than the things you mentioned, it just did not work out. And I loved the Harley idea, but the subtext of that is that the in-continuity modern Harley (where she has rejected…