No, seriously, if you think Midnight in Paris is a great film, you don't deserve better than 'ass juices'.

Unsuccessful elision from 'very good' to 'hit' noted.

Uh-huh.

?

Yeah. When I think 'Guarantee of Quality', I think Oscar!

Free ride? Have you seen the shite that gets 60s and 70s on metacritic?

I found it less a feminist witch hunt than a strange alliance between people entirely immune to facts (Soon-Yi was retarded! How could he do that with his own child! He was convicted!), who resembled Fox-wingers and Birthers in that regard,; people who assume any accusation of molestation must be true, and a certain…

"Allen’s ability to bankroll an annual trifle, and to serve it with
professionalism and craft, makes his output seem increasingly like the
second coming of Ernst Lubitsch."

re 2) and you know this because you creepily follow him around attempting to rebut his comments as if you had a personal stake in it?

Yeah. That and the ten commandments, which left out things like 'feed the poor', and 'profit is immoral' tell us all we need to know about who wrote that shit.

I can only defer to experts in such matters.

TOS had just the one, A Piece of the Action. In every other case where Earth history popped up it was an example of parallel development, time travel, a political scientist's experiment, that sort of thing.

On the grounds that Crowe is an actual actor and Pine is not, yes, that works.

" The latter has its defenders."

I've seen that kind of thing in a few other films that worked and it's occasionally the case that the rough cut people thought they were aiming for bombs so someone with the juice to do so recuts the film, it works a lot better, and especially if no one is expecting much of a gross and it's not too gruesomely amiss…

Yup. Heck of an actor. It took me a while to put him together with Veronica Mars.

The editing in that film was spectacular. The beats are just about perfect. Amazing how not lingering on the gorgeous fx of transporting and having Kwan shrug it off probably worked far better than the alternatives.

The former for me is what gave it greatness, so the fall off was about as drastic as the last half of ET. Something close to an hour of movie as good as pop film gets, then… ordinary. I mean, 'good' ordinary, but still ordinary, and still, 'whoa, what happened?'

Congratulations. You just killed postmodernism.

Ah, when we were young and innocent.