It shocks me that there was anything shot for Hateful Eight that wasn’t in the theatrical cut.

Ah... that’s a bummer. Thanks for the heads up.

Love the comic but I need to go back and finish it. 

So glad this was the first comment. 

It’s also kind of impossible to demonstrate you shopped the film around for the best possible streaming deal when you just dump it on your in-house service. 

To answer part of your question - no, editors, composers, and anybody below the line do not get residuals. It’s basically producers, writers, directors, ADs, and actors. 

Totally agree. And I also think it was the best directed episode of the season, and it wasn’t particularly close. 

“It might mean that I start liking my companions a little bit more if they aren’t negging me all the time.“

As long as the Valley of Defilement runs above 12 fps, I’ll be happy.

Get shield. Good will come in time.

I feel like “Summer” is the “Dark Souls 3" filter.

They made that choice not to. It’s not real life. They’re characters. They do whatever the writers want.

You mean the white SUV that started directly behind the van and then was forcibly pushed out of its lane?

I have a lot of faith in this particular showrunner. Colony has a very warm place in my heart.

In addition to that, I just play too many games well after the price has come down.

The Power Glove.

I wonder if she gets her haircut at the same place that Mark Davis does?

Besides how vile the sentiment is, I can’t even wrap my head around the logic.

The most I think I’ve ever cost one of my shows was 50k; that’s happened a couple of times, actually. Once, we didn’t have a music supervisor yet, and I was asked to put in some Christmas music. I did the only logical thing - I used the version of “Let it Snow” from Die Hard. Another time, we DID have a music…

Is it weird that I first read the Oh, Brother, Where Art Thou post and thought of Ocean’s Eleven?