j-mack
j-mack
j-mack

Severe “meh” about future Star Wars movies, if this is what they’re going with. I didn’t care much for Thor Love and Thunder, and I’m just not really a fan of Waititi’s comedy in general.

I wouldn’t be surprised if the Johnson trilogy ends up going through, even if he ends up just directing the first one. Disney and Lucasfilm really enjoyed working with Johnson and TLJ was the one Disney era Star Wars movie that wasn’t a total clusterfuck from the outset. (I personally don’t think it’s that great a

I wouldn’t count the movies before they’re produced. They had the same thing going on with Rian Johnson and Patty Jenkins before their future Star Wars movies got put on the permanent back-burner.

I’m all in for I’m a Virgo. Suitably odd from Boots.

Which has always been annoying yes. I still love that movie, and I’m a filthy woke progressive socialist.

It’s about time. They do too much work to be relegated to the fine print of the end credits. By the same token, Doom Patrol has been crediting Matthew Zuk and Riley Shanahan in the opening credits for a while -possibly since the first episode though I’m not sure about that. They do the physical performances of

I assume The Flash changed Shazam 2 by making it abundantly clear there wasn’t going to be a Shazam 3.

I mean 3 wasn’t bad.

 Alien: Resurrection is a movie yhat is made by people who have no business making an Alien movie. The result is just plain weird, and I’m here for it. It helps that it has amazing creature designs - the Newborn and Ripley ones are wrong in all the right ways. And say what you will about Joss Whedon’s limited pool of

I am definitely one who thinks ALIEN: Resurrection being a shaggy dog lends some extra charm to an uneven movie. It’s so grotesque and weird, and because it seems to be grappling with whether “grotesques” deserve to live and flourish, the movie itself being grotesque feels very appropriate.

I think all four Ripley have something to offer. The first AvP is mindless fun. The rest is garbage.

Andor does has rhythmic dialog. Mandalorian absolutely does not, as the author points out, it’s more often written like NPC quest dialog in a video game. I was struck by how closely the S3 opening sequence on Nevarro seems like a stealth infomercial for a future Galaxy’s Edge 2.0 retheming, and that everything about

So the honest answer to all of these is that for the most part, Marvel has no idea. They put stuff out there on the off chance that some of it might stick. You stick Clea in a throw away scene, and she is there if you decide to make a Doctor Strange 3, and IF you chose to use her later. If you don’t no one really minds

So Hulk had a son on Sakaar named Skaar. If he’d had a son on Earth would he be named Erth? Has this joke already been made a half million times?

I’m really stoked that this is getting made. The first movie felt like the plot was less important than the whole “Holy shit, we actually made a live-action Pokemon movie!”, but its box office performance was only okay.

According to Variety, a film adaptation of the popular multiplayer horror video game Dead By Daylight is now in development at Blumhouse and James Wan’s Atomic Monster. However, the search for a writer and director is still ongoing.

The New Alien Movie

Please be a stand alone thing with only the barest hints of connection to the rest. It worked wonders for the Predator. So I want the Alien equivalent of that: new characters dealing with xenomorphs (ot even new monsters) in new situations.

do you really think that the company selling cringe PVC garbage cares an ounce for the environment? Like, for real?