That's very true. Would have strengthened her argument, and it's not like they didn't have time for it, with all the back and forth they did.

While looking ethereal and jutting out her lower jaw.

I remain confused re: Sansa's motivation on Rickon and Littlefinger, but I actually really liked her frustrated exchange with Jon here.

The conscious choice to make the ending of "Brooklyn" the film a somewhat nuanced, but basically positive one made me appreciate just how open to interpretation the ending of the book is.

I’m in the haters’ camp for this exact reason. Narratives whose sole purpose is to subvert traditional narrative almost always end up leaving any meaning as an afterthought – their road map is literally “Oh, most children’s series do that? I’m not going to do that and the fact that I didn’t do that means my story is…