Looks like he deleted his Twitter as well. I guess he might take it even more poorly than he gives it!

lol you spun gold out of my half-assed insult.

I was surprised by the other article and it’s invertebrate analysis of this ‘controversy’; Sam Barsanti is a different story, his idiotic ramblings are just his version of professional blogging. He’s got the editorial talent of a goat.

I think they missed the opportunity of using one of their so-bad-it’s-hilarious songs like Back to the Shack.

The way I think of it is that the stuff Tatiana Tenreyro unjustly put on her should be focused on her lineage and family’s economic class- social classes in the US are specifically built out of taking advantage of those disadvantaged, whether wealth, physical ability, and especially race. I think the community…

I agree. I think the trend is a byproduct of studio execs that really don’t know what they’re doing, and having actors in weird stereotypes when they’re looking to cast- Heath Ledger was in that mold until he paired with the right director; or Colin Ferrell, or Matthew McConaghey, Amy Adams. Hopefully there’s a role…

I think that contextually, given that most of his work is a send-up to the genre-heavy works he’s loved, it’s less that he’s patching holes and more that he’s working in the constraints of genre films. I’ve always thought that the moments in his films that shine brighter are the more dialogue-/character-driven…

I’d be embarrassed if I was her- the only two situations I can think of that would that could create the article she wrote would be a) heard the Kemper story secondhand and was misinformed or is incapable of the most basic powers of perception to see the nothingburger it was; b) had full awareness of what the story…

I was wobbling on that- them and Mark Dacascos were still technically contracted by the main antagonists, so I went with secondary.

I was definitely surprised at the quality of A Simple Favor- Paul Feig actually didn’t use his low-brow take on feminism that he seeded in Ghostbusters or The Heat, and Anna Kendrick has been through a spell of films that I don’t care at all about- though Blake Lively is not really the one that sold the film to me- I…

I’m happy that there’s more people that do this than just me & my friends.

“Cheese and rice, he shot himself! With my gun, somehow.”

I’m getting Tommy Wiseau-level, retroactive “I was being self-aware the whole time!” on this one.

Scott Adkins would make a great secondary antagonist a la Adrianne Palicki or Common.

I could’ve sworn that wasn’t Annie Murphy and was actually Natalia Tena.

It’s really the issue with the “based on a true story” for any possession/haunting story- most of the story-worthy events are explained by mental illness/abuse, or complete liars.

I’d be fine if he did just end it there. He’s not my favourite director, but he’s the only director that I enjoy all of his films.

Yeah, I’m definitely not a cheerleader for particular politicians, if they can effect policies that I can value, then I’ll vote for them- I wish I could say the same about a lot of the dyed-in-the-wool, true-blue conservatives in AB. We voted Notley in after a garbage end to such a horrific gongshow of a Conservative…

Kenney’s a real shithead, I lost a lot of faith in Alberta when he was voted in. The amount of people that fell for the “NDP is ruining Alberta!!!” rhetoric is bafflingly stupid. That said, I didn’t include him because I don’t think many outside Alberta or Canada really know much about him.

I haven’t watched the series, and you won’t be able to convince me that it’s not a fictional property within a show like It’s Always Sunny or Community.