This atrocity deserves the profanity.

Well that’s just like your opinion, man.

I’m not THAT much better than that, let’s  be honest.

The man is a legend.

I love Hellboy comics. They are my favorite. This movie looked like ass from the first trailer.

This is good advice in general. 

[Makes note to avoid sports radio and ESPN’s shouting shows next week.]

Your comment reminded me of this adorable comic:

So much this. Took my girls (7 and 4) to their first hockey game a few months ago. This was AHL. Before the game we were looking at the Zambonis parked by the side of the rink and the security guard kinda laughed and gave them a little wave. We head back to our seats and about ten minutes later the same dude walks up…

Mike Perriera suggested just adding  another official sitting in the booth, who can quickly watch the replay and give information on a call. Same way as when the officials meet to discuss whether or not to pick up a flag.

These Gender reveal parties are getting out of hand.

I agree. Gaffigan’s the only person on that list I can tolerate. Didn’t like Chapelle’s recent specials, didn’t like Rock’s latest special, never liked Seinfeld’s standup, Iglesias, Dunham & Maniscalco are one-trick ponies, Hart is one of the most annoying people on the planet, never really liked Gervais, and I don’t…

I would say the same for Black Panther, which was an important social achievement, but was otherwise a by the numbers origin story.

I wish Hemsworth was getting more attention to his contribution to Infinity War. The guy nailed a deeply emotional character arc, and he was believable.

For sheer thrills alone the reaction to Thor arriving at Wakanda should earn Infinity War a spot on the list.

I’m sorry anyone that hates on this is just a bitter hack, it might not be your thing, fine but the skill, creativity and production values are all off the charts.

Yes! The Eastwood-acted parts are its weaker moments (though he does deliver a nice denouement of sorts), but his direction of Costner and Costner’s performance are lovely. Great stuff. I remember it was considered a major disappointment at the time, but it’s so much better than a lot of his later-period work that got…

The Mule is not quite A Perfect World. Like that 1993 film, it finds Eastwood performing (both as actor and director) in two of his most comfortable modes: ambling low-key pulp and quiet regretful elegy.

That little lens-flare/reflection in the video seems to be some sort of optical effect from the engines of the Soyuz rocket, though I have no idea how the optics work to do that. But the pattern is the exact same, and I don’t think it’s a coincidence. Anyone have any idea about how this works?