Yes, one adjustment they could make is adjusting to the idea that they can’t have profits which grow endlessly year on year...

I get that things are tough now, but....this is such a bad look.

An actual joke with a set up and punch line would be nice. Way too much of “humor” is just the same improvisational, mumblecore shtick that’s been done to death in a dozen other movies, shows and games. It’s the kind of thing that’s refreshing the first couple of times you hear it, but eventually gets incredibly…

Keighley’s so full of it.

Cancel the internet.

Yes, let’s come up with new DRM five years into a console’s lifecycle, without any involvement from Nintendo, intended to run on a console which already has optimization problems. I’m sure you’ll see a tremendous return on that investment.

I mean jokes and all, I think Live Action Sailor Moon went so hard when they didn’t even have to LOL.

It starts out cringe and cutsey and then, next thing you know [spoilers for a 2003 show I guess?] Episode 50 rolls around and Usagi ends up being possessed by her vengeful Past-Life Self and destroys the world. Sailor…

Why? Because in the pre-internet era, Americans were even more xenophobic and ignorant of the rest of the world than they are today.

In 1999 I watched the blurry shakey-cam Saban Moon trailer video for the first time. When it was finished, my PC abruptly blue screened, and I was forced to reinstall Windows. I remain convinced that my PC was trying to commit technological suicide after being forced to process that video, and I have never attempted…

The dramatist in me hoped that as soon as the package opened, the cards would turn to dust and fade into the wind.

Whatever Cyclizar’s backstory turns out to be, it’s providing more productive fodder for fans than the alternative: once again bashing Pokémon’s graphics.

Final Fantasy isn’t the thing having issues with adapting, Square Enix management is the problem.

step 1: don’t install valorant in the first place

The initial takedown is “better safe than sorry.” Their refusal to review is “you don’t make us enough money, so fuck you”.

Yeah, I mean, I appreciated the little vignettes after major story beats where you could see a brief conversation between two characters as if the whole party was actually travelling together, but it was too little to have much impact.

The characters of the first game werent even together, the cutscenes made that aggravatingly obvious. Like when your lead character for that chapter was stabbed and had to be rescued hours later by an NPC.

Octopath Traveler had so much potential and I ended up so disappointed in it

“D&D is hot right now, largely because queer roleplayers have made it shine”

Look I’d love if we queers could take credit for this but dude that’s an interesting choice for planting a flag. That you skip over Stranger Things is weird, which (along with Critical Role, which you mention) I feel did a LOT more to bring it…

Ugh this article

“Be it queer-only actual play podcasts that chart out across epic adventures for hours at a time every week, or powerful new RPGs like Thirsty Sword Lesbians, the modern TTRPG renaissance is profoundly queer and, from the looks of things, this film is not brave enough to take the same chance.”

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