I’m pretty sure “multiple different” is redundant in that context.  Why would they film multiple identical endings?

Eddard Stark, the apparent protagonist, is executed at the end of the first season.

Your professor was right. You remind me of the quote, “’Shut up,’ he explained.”

Fewer.

Lie.  About time you learned to conjugate that verb properly, eh?

Not a day goes by that I’m not proud of Liam for not having died of an overdose or blowing his brains out.  What a singular achievement.

I die inside a little every time someone in that audience goes “wooo.”

You haven’t read the book. At the end of the book, the narrator/main character is looking over the ruins of his house, and his wife, who he assumed was killed, turns out to be alive. In the movie it’s his son instead of his wife, but it’s basically the same.  I’m kind-of sick of people saying Spielberg gave it a sappy…

You have to pick a place to put the preposition and stick with it.

He’s also renounced the ending of Cujo (the book), which is the only thing by King I’ve read that I liked. Maybe I should read Pet Cemetery.

Since we’re being finicky, neither of these is licorice.

I don’t think you can want it all more than anything, since anything is included in it all.  Perhaps, more than nothing?

The word “reboot” has completely lost all meaning. When a headline says something is a “reboot,” it could mean anything: a sequel, a prequel, a remake, or a complete re-imagining from the ground up, which is what a reboot used to refer to.

I’m guessing confusion is your default mode.

DC doesn’t make movies.  It’s all Warner Brothers.  But I agree that Snyder is an asshole Objectivist hack.

Frank: You can’t stay, Karen.  We can only afford you for one episode.

I don’t think that’s the best analogy. It makes me think of Stan Lee’s Spider-Man comics, in which the supervillians come in with stupid supervillain costumes and supervillian motivations and corny supervillain dialogue, and Spider-Man makes fun of all that while he fights them. It’s critiquing the genre from within,…

I don’t think the reviewer stressed enough how fucking stupid it is that Michael Burnam, the person who is ostensibly the past version of the person in the Red Angel suit, could set a trap for her future self. I mean, yeah, it turns out Spock is willing to risk everything to make the plan work; but no one knew that…

Mine rolled behind the refrigerator. They’re still a little linty as I hate that every episode of this stupid show has to start with platitudinous attempts at profundity.

Mignola’s style has disappeared up its own ass.  I’m grateful for Fegredo.