hollywoodaholic--disqus
Hollywoodaholic
hollywoodaholic--disqus

You're right. Hodiak was the wife beater in my read of that scene. I thought that was obvious. He hangs his head in shame and leaves when she calls him out on it.

Right, nothing spelled out that Danny was in on this, but many have jumped to that conclusion.

I thought he was going to be killed by goons hired by Sandpiper when he went outside as the suspense music built.

I was on set for the pirate ship scene in "Goonies" and the Inquisition dance number for Mel Brooks "History of the World, Part 1." Memorable.

Christ, Tom Petty looks like the Shroud of Turin in that photo.

Good analysis.

Ray Bradbury (on a R is for Rocket paperback)
Robert Bloch (on a Scream and Scream Again paperback)
Dick Clark (on a rejection letter for a TV series idea)
Jimmy Carter (History will continue to elevate his status and ideas)
Spiro Agnew (Hey, he was the governor of my state at the time)
Fredric Brown (Forgotten but great

Couldn't disagree more on this episode. Directed by Peter Krause, he obviously had the pick of the litter for scripts, and this one featured great one-on-one scenes and pivotal moments between characters and with terrific acting. One-on-one scenes in this show are always more powerful than the group scenes where

I met Robin Williams and his manager to discuss him starring in a comedy screenplay I wrote called "Recess" that would be directed by Academy Award Winning director Tony Richardson. It was the thrill of a lifetime for this then-young screenwriter to be standing in a hallway at Paramount Studios offices and see Robin

The weakest episode of "Firefly" has more story, better characters, funnier lines, more heart and is more entertaining than this overbloated bag of cgi explosions. Chris Pratt couldn't lick Nathan Fillions' browncoat boots for how to play (a more subtle and likeable) wisecrack rascal. As long as fans show up for comic

Let's take a moment to acknowledge who started the trope of tension building for a scene of horror while a children's song played innocently in the background - the crows on the jungle gym scene in Hitchcock's "The Birds."

Right, again with the editing leaving out a key moment where Tony probably told Woo to vote Trish because Tony now believes Kass is better to take to…. the final TWO. That's right, it's going to be a final TWO this year. A hint from Probst on the EW page gave it away.

Three brains and no beauty left.

Reviewer right on. I had to rewind the DVR to catch the writer after this episode, and saw it was the showrunner, and said to my wife, "Only the showrunner could definitely make some of the definitive choices this episode adroitly made." Everyone else is usually just spinning wheels. Joel, I get it. Zeek, I get it.

The beauty of music is how people read into it what they want or from their own perspective, but straight cowboy lyricist Taupin has been very clear about what he meant by that song from HIS perspective. And he's been very clear when he's writing from Elton's perspective ("Elton's Song"), etc. It's a ironic team in

Not to mention he was also releasing singles only at the same time such as "Philadelphia Freedom" and "Ego."

Or Kate Bush's "Rocket Man." But these covers were specifically commissioned for this album, therefore, nothing licensed. And despite this review, some are pretty interesting.

Think again, and remember the songs were all written by straight man Bernie Taupin from his point of view. Listen to the interview with him on inthestudio.net with Redbeard and don't let it burst your bubble. He was and still is the farm boy ready to pack it in (and not where you think).