I started reading the books with my mom when I was six. That was in 2000. This is a magical series that my peers and I grew up with in a very real way.

Marc Maron is so good, and his stuff with Betty Gilpin is the best part of the episode. He can't really look like he's thinking, but he can do a line-reading like it's nobody's business.

You know, Dan, good ideas come to those who are relaxed. Just gotta get schwifty, man.

Yeah. Betty Gilpin might be the one ensemble member who does better work, but she also has limited screen time.

Nettricks? Wait, no. A trick is something a whore does for money.

Just watching this put me in a better mood. Good on you, video.

That confrontation at the end is earned, but really does feel like it belongs in a much better episode.

And that's the other thing: a-ha and Dexys Midnight Runners each had one song that really blew up stateside, but had really long, lucrative careers outside North America that went totally unnoticed.

One pf my co-workers and myself love to make fun of her insane vocal melodies where her voice goes all over the place, by making goofy, protracted yelps. It passes the time.

"Closing Time," is close, but I'll have to go with "Don't Dream It's Over." Best chorus ever.

Wow. Great to see Sylvester Stallone get into the horror game.

Best case scenario, it's a Richard-Donner-for-Richard-Lester type of substitution. it can never be as good as Donner's vision, but it could be all right.

Kasdan and Kennedy are veterans who know a thing or two about a successful film. That said, this is completely within Lord and Miller's wheelhouse. Their whole film career is based on taking old things, and giving them second lives. They are the most perfect people for a Star Wars movie. Their films have done…

They usually do.

And Colin Trevorrow remains woefully employed. Trump's America, people.

It was my second favorite album of the year, just behind To Pimp a Butterfly. The only difference, really, is that the latter is more sonically varied, and has a degree of pathos that Algiers just couldn't work into their debut. Otherwise, they were about many of the same things. God, 2015 was a great year for music.

He can get a new job. That's about it.

So weird that The Leftovers made Program of the Year, but not Drama. Cool to see Carrie Coon, though.

Right? I think we all just hated Nancy, and even that feels like a strong reaction.

Their show only exists because of the internet. So, it's kind of hard to get away from that. I appreciate the effort, nonetheless.