Except that she feels guilt about Jessica. She feels like she needs to help her parents, who offhandedly ignore her. She feels like no one cares enough about her. Also, if she's not in the right mind, then why does there need to be a right wrong state of mind? She is, after all, still a child. As someone who also…

I really hope that Pepsi commercial director becomes a recurring character, for real.

The one thing that bothers me is when they reference previous episodes, specifically with nods to The Final Sacrifice and Time Chasers—mostly because, if they're going to bring back a property, why guild the lily like that? I like MST3K, but I like that the revamp has its own identity, just like Mike's era was its own…

I'm guessing that Larry did it by accident.

I mean, yeah. EDM is soulless garbage. It's not "devil's music," because it's not espousing any message or feeling, other than not to look for a message, nor try to feel any thing. The Chainsmokers are the smelliest shit in a pile of comparably less offensive shit. They're a novelty. OR they're the Donald Trumps of…

I don't love most of these, but really? Most of these are perfectly fine films. Even Avatar. Sure, it's a dumb movie, but it is still super impressive.

A lot of my friends in college like this album, and maybe this would have made me feel smarter years ago, but nothing. It's sort of how I feel about Sex, Drugs & Cocoa Puffs. Chuck Klosterman is a smart writer who has become such an incredible writer. When you're a teenager, SD&CP is mindblowing. Give it a decade or…

Except that Josh Tillman revels in irony and sarcasm, seemingly above it all; whereas Mark Kozelek is an oversharer in every sense of the word. Personally, I'll take the latter every time, because at least Kozelek has fewer illusions about being up his own ass.

Die in a fire? You mean… like uncle and second cousin?

Lots of Islamophobic criticism. ZING!!!

The bleeping segment didn't quite work the first two times… but I was in after that.

Seymour is a must.

I think that the last ten minutes or so atone for the other missteps; maybe not as electric as the last finale, but poignant enough to hold its own. On the whole, the animation is what took me out of this half of the season, even if it was way more interesting and focused.

I like parts of "I Do," but this is a show that could never write a standout Kate episode, or write for Kate in general. "Stranger in a Strange Land" is as damning an episode as there was. And yeah. "Exposé" barely justifies Nikki and Pablo.

Exactly. "Through the Looking Glass," "Man Behind the Curtain," "The Man from Tallahassee," "The Brig," "Greatest Hits," "Flashes Before Your Eyes," "Enter 77," and "Not in Portland" are all great. Though, personally, I think that the second half of the show is much stronger than its first.

First off, season three does not suck. It starts off shakily enough, but has many of the show's strongest episodes. But "A Tale of Two Cities," and almost anything from "Trisha Tanaka Is Dead" forward is really strong. Personally, I even really enjoy "Expose," because at least Lost is willing to play around from time…

Both Ruby Con songs were weak. The first one would have been okay, but it went on for so goddamn long that it became garish. "Toy Box" is a distracting anachronism if there ever was one. This is still pre-Gary Numan, so it probably wouldn't have existed. Also, what a waste of Renee Elise Goldsberry. Angelica Schuyler…

GET OFF MY PLAN!!

Cool. Now I can tell my friends to stop being a statistic, and to get off my plan.

…But The A.V. Club has a few Facebook Live shows. Film Club, in particular, is really good.