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Do we complain about Dowd's scoring anymore? Is that still a thing?

Ever since the trailer, I was curious to see what someone who had seen/was a fan of the original production thought of this. Thanks!

I was thinking KLK too, but I don't think everyone would understand it. (Too many anime tropes!) I just wish they toned down the fanservice *just a bit*. It's hilarious sometimes, but I groan every time I see Ryuko's boobs flap during her full transformation sequence. (Which I don't really need to see again, it is

You should be able to guess who Ronin is, but it's not the biggest deal. The leather coat of the Ronin costume reveal combined with his supernatural knowledge are the biggest clues.

I watch Brooklyn Nine Nine on my DVR, and it usually records the last few minutes of Dads. The few times I've watched those minutes filled me with almost as much hate and bile as the writers of that show must have to inflict it upon America.

Ugh, I hated the clunky way they set up Coulson's and Ward's discussion of women. There are whole departments on women, and the "Psychology of Women" wouldn't even be in their domain. It just needlessly makes Coulson seem out of touch.

Same here. That argument between Scarlet Witch and Rogue made me want to drop the book altogether, but I'm hanging on because I love the pencilers that get assigned to this book. Acuna's recent work is so lovely that I can suppress my distaste for the characterizations.

I still really enjoyed it, but more for McKelvie's pencils, particularly the inventive layouts, than anything else. The story lagged a bit at times, but I did enjoy Gillen's character work, generally (except for Kate, but I did like the dissolution of her romance.) The characters felt more like real teenagers than any

Although he already has one in the film series in Rogue, Wolverine can't have *too* many teenage female sidekicks, right?

They're probably going to cast, say, The Rock or Jason Mamoa or someone of Pacific Islander descent as Apocalypse. Do they even cast buff Middle Eastern actors anymore?

Cyclops is one of the best casted of the original trilogy too. I'm looking at you, Halle Berry Storm.

I don't understand how they choose nominees for Song of the Year. Is "Locked Out Of Heaven" really supposed to be one of the best-written songs of the year? And I don't really think the other nominees are too much better.

3 if it were a graphic novel biography; -10 if it crossed over with the biographies of other comics writers. Surely somebody's drawn some Bald on Beard action out there!

Out of curiosity, were you working through the Tournament of Books? Those book choices might just be coincidental. I never finished May We Be Forgiven; I felt the same way.

If Bukkake Party Tonight ever puts posters up for a show, some hentai fans will be very confused. On probably the wrong day, too.

If we're doing the Sinister Six, can we have Mysterio? And since he's a special effects guy, can he make all the CGI look better, please?

Criticizing the nature of my comment is fine, but extrapolating that to me and my understanding is rude and a problem of all of these music writers calling artists names. We can be critical of the things people say without implying that it reflects anything terrible about their knowledge or their character.

Eh, if "Royals" isn't racist, I still dislike its critique. The song's purportedly calling out people who come from money, but all of the hip hop/rock star imagery is generally from artists who didn't and were thrust into a bizarre lifestyle wherein they can suddenly afford it all / are given those things for free /

Anybody know how I can read these Steranko tweets in chronological order? This isn't how Twitter was designed to be read!

I love how Santiago followed Peralta's gaze as he stared off into the distance for his cheesy "But I'm not giving evil the satisfaction… not today" line.