“If you are from a country where tipping is routinely practiced, it may come as a surprise that there is no such culture in Japan.”
“If you are from a country where tipping is routinely practiced, it may come as a surprise that there is no such culture in Japan.”
SO GOOD. The tentacles felt very intuitive and Mike Patton voicing the Darkness was spot on.
The couple must be some really terrible people to get Agent 47 hired to kill them.
I’ve read that after the war rice on short supply but fish wasn’t. So people brought the restaurant their own rice and the chef prepared the sushi with much larger portions of fish than rice, than are used today.
At earlier point in the game, there was a hidden ledge that you had to fling with at least three ropes to get to. And controlling Cal in these rope swings is way too difficult. I died dozens of times trying to get back from that ledge to the main path. Little did I know that later you would get the force pull skill,…
Played it thru on Normal with a friend of mine, with whom we played the hell out of all the previous games.
Yeah. It’s going to be so funny when all the families with mean violent drunks stay together indoors for days and days.
Next Soccer World Cup will be held in Qatar in 2022. Fuck FIFA.
No Wrath of Asura? There’s a little fight scene on Moon:
Which one would be cheaper for Ubisoft: licensing 150 songs instead of 140? OR creating a deal with HirRecord, going thru all the provided material and then still pay something for the song?
Haven’t played this game yet, but seems they get it wrong from the beginning: telling the player what kind of emotions the game is based on, and therefore maybe also expected the player to feel those same emotions too.
I cover anime for Kotaku, and generally will stop watching a new anime series after four episodes if it’s not grabbing me. That leaves me more time to watch what I do like, or hell, go on a bike ride or bake a strawberry tart.
Is this going to stay a Switch exclusive?
Yep, it feels that the writers are not actually inside the geek scene, so they pick something from the surface level. It feels like almost everytime videogame playing is portrayed on TV: overacting what playing with a game controllor looks like.
There’s a lot of little motion in Overwatch that portray the different heroes:
My habbit to avoid confrontation ends up causing huge confrontations in my relationships:
Something happens, I keep my mouth shut, something else happens, I still keep my mouth shut, it starts to add up, and people see miles away that I’m angy and I STILL avoid the confrontation. Then I get drunk, let it all come out…
Why not make a rail-shooter PvE event?
Tracer on the motorbike zipping between enemy vehicles, maybe she could rewind the whole bike to a previous point on her lane and plant bombs on enemy trucks.
Winston eletrocutes and needs to provide shield to block major attacks.
Genji and Mercy would jump between moving vehicles…
Besides the education being top notch here in Finland, we watch a lot of English spoken TV. And we don’t dub it, but sub it, so basically from birth we keep hearing English all the time and learn to read Finnish quite quickly while watching it.
Grammar wise Finnish isn’t an easy language to learn, but it’s pronounced…
Ubisoft fumbled with Assassin’s Creed - Origins on this: taking down Roman outposts and smashing down stutues of the bad pharaoh doesn’t effect anything. Absolutely nothing changes in the world: outposts get repopulated by romans and no benefits from merchants or anything.
And it was better in AssCreed Syndicate. The…
I remember hearing about this movie when it premiered in Finland and then nothing. If I remember correctly, this was a lifelong dream of the producer/writer/director Haaja and cost/almost cost his marriage and finances.