So re-ordering Amazon Prime TV (the only way to legally see American Gods or Preacher here), might not be worth for the later seasons of those shows?
So re-ordering Amazon Prime TV (the only way to legally see American Gods or Preacher here), might not be worth for the later seasons of those shows?
I’ve always liked Sean Connery’s Outlander.
Hellboy, B.P.R.D and spinoffs are the only comics I’ve still been collecting in print (Library Editions of Hellboy, otherwise trades). Takes shelf space somewhere around three meters. I just received and read the end of the story (B.P.R.D.: The Devil You Know Volume 3 - Ragna Rok) and I think I’m waiting for one trade…
When someone you care about dies, it is devastating and very, very, final. When a famous person you know and like, there’s a varying levels of sadness and the knowledge that they won’t be creating anything new anymore.
No Wrath of Asura? There’s a little fight scene on Moon:
Which one would be cheaper for Ubisoft: licensing 150 songs instead of 140? OR creating a deal with HirRecord, going thru all the provided material and then still pay something for the song?
Haven’t played this game yet, but seems they get it wrong from the beginning: telling the player what kind of emotions the game is based on, and therefore maybe also expected the player to feel those same emotions too.
The movie’s costume design made it so that it actually has aspects of Iron Man, Black Panther, Thor and Doctor Strange, so that the people of MCU would love him more easily on a subconscius level.
I cover anime for Kotaku, and generally will stop watching a new anime series after four episodes if it’s not grabbing me. That leaves me more time to watch what I do like, or hell, go on a bike ride or bake a strawberry tart.
Is this going to stay a Switch exclusive?
If I remember/undestood correctly from the Phasma novel, Captain Phasma’s armor is made from the actual Royal Cruiser ship that crashlanded with some Imperial/First Order people to Phasma’s planet.
Yep, it feels that the writers are not actually inside the geek scene, so they pick something from the surface level. It feels like almost everytime videogame playing is portrayed on TV: overacting what playing with a game controllor looks like.
And not blaming the alt-righters for this, he didn’t empower them. They didn’t make this happen, it was himself.
There’s a lot of little motion in Overwatch that portray the different heroes:
My habbit to avoid confrontation ends up causing huge confrontations in my relationships:
Something happens, I keep my mouth shut, something else happens, I still keep my mouth shut, it starts to add up, and people see miles away that I’m angy and I STILL avoid the confrontation. Then I get drunk, let it all come out…
It should have been Gandalf and Aragorn dropping The Ring into Mount Doom, not some weakass hobbits.
Due to the damn awful direction and writing of Marvel’s Inhumans, I didn’t even realize that Black Bolt and Pike was the same actor, until I caught his quite unique name on this article. What a waste that show was.
Fantastic Four, and with them Doctor Doom, Annihilus and Galaktus.
Why not make a rail-shooter PvE event?
Tracer on the motorbike zipping between enemy vehicles, maybe she could rewind the whole bike to a previous point on her lane and plant bombs on enemy trucks.
Winston eletrocutes and needs to provide shield to block major attacks.
Genji and Mercy would jump between moving vehicles…
I’d say Larocca is not much worse than Phil Noto. Can’t really get the “beloved” here. Characters drawn by Noto have all the same basic face and weird kid like bodies. There’s no sense on dynamic action and the bland coloring doesn’t help.
Stuart Immonen, Pepe Larraz or Giuseppe Camuncoli, please. Or if someone new to…