Even without him specifically stating it wasn’t Neill, Carpenter obviously wasn’t going to work with him again one movie later in the (waaaaaay superior) In the Mouth of Madness if working with Neill made Carpenter want to quit the business.

Quoting Aubrey Plaza in print almost always removes the deadpan “am I serious, or am I fucking with you, or am I just a weird person who doesn’t quite know how to deal with promotional interviews?” awkwardness that comes across in the actual video/audio.

TV didn’t exist before 1990, apparently.

None of the articles are answering the more important question - was the much more direct butt shot of her jumping the rail at the Statue of Liberty restored after being fully cut out?

They did the same thing when they wrote a Newswire about John Carpenter not being clear about what “elevated horror” means, sourcing an interview from...the AV Club posted a day earlier.

He’d probably be pretty happy, because he appears to be (rightfully) proud of it.

Daniel Radcliffe has seemingly gotten through the utter bizarreness of being a child star in a massive franchise and come out the other end a genuinely good dude.

Cool to see he’s made a successful career in stunt work/fight choreography and mainstream work, but he will always be Jean-Claude Gosh Darn of Future War fame to me.

I love the Fletch novels (well, most of them - Some of the later ones and/or ones that just read like MacDonald wanted to get his vacation to a foreign country paid for as “research” and just read like travelogues with Fletch thrown in are a bit so-so), and was excited about a more faithful adaptation despite really l…

Roughly 90% of the hatred of method acting these days comes from stories of whatever new dipshittery Jared Leto did while play acting as “method” on his latest film. 

Not to mention the whole “star coming close to dropping dead of a heart attack while half the season was still unfilmed” thing.

His character left to hang out at the Double Deuce with Keith David’s blink and you’ll miss it, one scene, nearly wordless (“Whiskey’s running low”) character in Road House.

“The producers say she is not coded to be neurodivergent”

The US version of Out of Our Heads should be somewhere on here - I think it’s the best of the pre-Aftermath, stitched together LPs on either side of the pond.

“Bob sounds good. The band sounds good. The song’s great.”

Since every mogwai we see except for Gizmo is an asshole even before turning, does that mean Gizmo would be a “friendly” gremlin if he turned? The mind boggles at the answer.

“Hardly any of the team of ghostwriters that write my books now are old white guys!”

I always loved how Seinfeld very clearly could barely keep it together throughout the scene.

It’s the “fast food” of horror film series - neither are “good” by standard film/food standards, but they’re tasty empty calories if that’s what you’re in the mood for, and you always know what you’re getting.

Like others have said, you should at least see 4. It’s probably the “most” Ft13 movie out of all the Ft13 movies - by which I mean it’s probably the closest to the “ideal” of what you’d expect from a Ft13 movie (if you do want that). Probably the most iconic Jason look/performance, decent dark atmosphere that’s…