hastapura--disqus
hastapura
hastapura--disqus

You're sounding a little too reasonable here.

Truth. Thank you. I had to listen to get the slightest idea of what the damn music sounded like. I'm not sure what about it got a "D."

You weren't my Recording Tech for Non-Majors teacher were you? Because I've heard that fucking Christina anecdote more times than I can count, along with tons of other half-coherent back-in-my-day ramblings. Fuck you man. Fuck you.

Honestly, I don't get it either. Is there an artist alive who's not putting on some kind of airs? And as for her performance tics…two words. Thom Yorke, or tons of other dudes. I don't see anything that warrants the microscope.

I found it slick for sure but I guess the atmosphere did more for me. The ending is a little unfortunate, yeah…like Serbian Film with a knife rather than a cock. And that IS Tyres isn't it! God that would've ruined it for me if I'd recognized him while watching.

Could you…elaborate? I'm curious.

"We're working with the compositions in their rawest form and instantiating them in a different way. The idea is to purify the burst beat, to purge it of vestigial features relating to the blast beat. To do that we're recreating it in the context of high-bpm hardcore techno. The percussion is stripped down to a

It's a testament to his writing that even the songs that sound like Genesis-era Sonic soundtracks remain listenable.

It was pricey, to be sure. But so were the local (Union Square) AMC and Regal theaters. Pick your poison, I guess - but watch for sixteen dollar 3-D movies!

This looks really good. Stop making me wish I hadn't moved to Tampa, where the local "arthouse" theater is playing nothing but The Artist for the next MONTH.

Yeah I've been defending this since I read the strangely glowing AICN coverage - probably my mistake. Objectively it looks…silly.

Tell me this comes with an FMV game called Rick Ross's Paradox.

Yeah, fuck that. Puss in Boots? Kung Fu Panda 2? Spielberg did some amazing stuff in Tintin.

The quality of any given New 52 title seems inversely proportional to its amounts of sexism, so it makes sense that WW and Batwoman would be good!

I'm playing it at the moment so I can't speak to the story, but the art and animation are really pretty, and the death mechanic is basically the fascination with dying from Limbo made central. It's pretty cool. First thing I thought when I saw the upside-down platforming was VVVVV but it doesn't seem like a rip-off!

I like Damian, but I've been lukewarm on Morrison's Batman work so far. I get that he's doing some real crazy stuff but none of it hit me as hard as Black Mirror did. I liked plenty of Batman and Robin and some of Batman Inc., especially the wackier stuff like Lord Death Man. Not into the acid trip Zur-En-Ahh time

Abramowiz.

Censorship was the norm starting from 1945 on. Under the occupation, the media were unable to discuss the war and - most insidiously - the atomic attacks, leaving millions unable to publicly grieve and struggle with the trauma. After 1952, the occupation ended but government screening of textbooks (to follow on your

The Flowers of War or City of Life and Death?!

Johnny Depp-as-Johnny Depp got old fast for me, and he's not too hot anymore; ever since the (trailer for) The Tourist he's gotten sorta bloated and frumpy.