“Yo homes, smell ya later” was a line in the theme song for Fresh Prince of Bel Air at least 10 years before the the Simpsons used it. It was a fairly common expression in the 1990s.

What would be pretty good is by the end of the show Eve has become the cold psychopath we were expecting and Villanueve is the one left heartbroken.

you know you are in a really bad place if your favorite psychopath is looking after you and is worried about you.

Niko needs to just walk away. Hell, get with the teacher with all the cats. Sure, she flirts with married men but also seems fairly pleasant and not nearly as selfish or psycho as Eve is slowly proving to be. I have a feeling Niko’s going to be too good a guy/love Eve too much to just let go, though, which makes me…

I really hope the “Eve and V team up to solve crime!” thing doesn’t stick. But I wouldn’t mind if eventually the show transitions into Villanelle hunting down a rogue Eve. Like, why not? Eve’s not quite ready to murder, but I can’t see her not killing someone in cold blood soon.

Puzzled by the lowish grade, I thought this was a great episode. However, the dynamic between Eve and Villanelle IS different - of course she wouldn’t kill Eve, but I fell for the arsenic and the champagne too! Loved the expression on Jodie Comer’s face when Eve touches her face. From cocky to surprised to emotional…

I’m slowly coming to the realization that Killing Eve is more of a mood than a narrative. More of a tone poem than a concerto. I’m not so sure that when I diagram the story as an outline I’m all that interested, but then the locations and the costumes and the music all whir up and it holds a certain fascination.

I think you may be in the wrong thread?

I think the police officer who Fuches crashed into was Loach.

I think the point was that nobody noticed the insanity that Barry and Fuches are trapped in: Barry’s all bloodied on the street and nobody seems to see him even if he literally steps in front of those young women, Lilly spends an entire afternoon on the roof of a house and nobody sees her, etc. That all seemed like a…

“Wow. What a dirtbag would attack you at a holy place... and fail? Thankfully. I mean you look great, with your Slurpee. I guess he, didn’t do his job... or her job. Or maybe it was a coordinated drone attack?” I begged at my screen for NoHo to shut up before he gets himself killed.
“A white boy in a Lululemon…

As great as the battlefield scenes were when they crossed over into Barry’s reality of sitting at his desk writing, I really wish that when Gene appeared to give him shit for ripping off Braveheart, he’d have been wearing a helmet. No mention of it, just have it sitting on top of his head.

The bit where Sally’s friend says she doesn’t watch much TV, then lists off a long list of all the normiest shows she does watch was hilarious.

Yeah, in So Cal we tend to emulate New York colloquialism in order to develop an identity of sorts, but it hasn’t exactly caught on with the rest of the world...

I enjoyed the name of the show, “Smart People”.

Barry’s hate-filled look at the end of the episode is actually quite the opposite of sociopathic. A sociopath lacks empathy; but Barry’s obvious anger towards Sam is based entirely on his empathy for Sally.

That terrifying final shot of Bill Hader’s enraged expression communicates more about Barry’s internal life than any “sheep fucker” story ever could.

Damn. That final look Hadar gave to Sally’s ex gave me chills. So cold, so hate filled, and oh-so-sociopathic.

Barry’s inability to kill Hank illustrates that he is through with killing. However, that last scene really makes me hope that he has one more in him.

“accurate” not “precise”