Two of you! Corr. You should start a club!

Stay out of this, Dushku.

I'm not sure Dollhouse's fan has internet access.

They really need some better directors on this show. The car chase was only okay, and what should have been glorious moments like Robbie dragging James out of the exploding building came across very lacklustre. The writers are doing a great job at the moment with an abundance of character moments balanced out by fun…

The whole thing was validated by introducing the world to Enver Gjokaj's phenomenal range.

A heartbreaking moment. For as much as season 2 didn't quite live up to what Epitaph One set up (how could it, when it had to fit ~5 seasons of plot into the back half of the season) the little moments in season 2 that reinforced his role in it all (primarily as he developed more aspects of the mind-wipe technology)…

No wonder kids had nightmares.

Stingraaaaaaaaay STINGRAY! Stingraaaaaaaaay STINGRAY!

Well, Xo was being honest with Ro even before he got arrested - she told him about the pregnancy mid-pee-cup incident. And I assumed that Ro's arrest was the start of a new story for him that would see him through a good chunk of the season to come, so not solely moving things elsewhere, but we obviously won't see if…

I love Luisa's relationship with Rose, and I hope they keep mining it because it's a delight… but it's also incredibly unhealthy for Luisa, so I do hope that she has a Rose-free happy ending eventually.

Well if we're correcting him, it's prophecy, not prophesy; prophecy is the noun, prophesy is the verb. (Like with 'advice' and 'advise', which is also a good way to remember the difference between 'practice' and 'practise' if you're outside the US [in US 'practice' is both the noun and the verb]).

I had exactly the same thought during the imaginary flashforward. 'This is how they show the happy ending the couple will never get to have. This is how they give Brett Dier a great farewell episode despite being unconscious throughout. Fuck fuck fuck fuck fuck fuck fuck fuck fuck!'

Last year I wasn't sure I liked how they were going so grand with the Sin Rostro storyline, particularly at the end of the season when Rose revealed herself by ripping off a rubber mask (the facial surgery route was already stretching credibility but at least it made sense! …relatively speaking, that is).

The narrator just did phenomenal work in this episode (credit to both the writing and the performance). He just set the tone perfectly throughout, leading every scene. It's a crime that he didn't get the Emmy this year (and that the show in general has gone completely unnoticed by the awards ceremonies since…

HOLY HELL that was intense. I finished it feeling totally exhausted. I love this show, I am so ridiculously happy to have it back.

I HAVE BEEN WAITING SO LONG FOR JTV TO COME BACK.

It's a very common name, like Moira MacTaggert.

Weirdly, I've just (like 5 minutes ago) finished watching the Crystal Maze charity special of which he was the host. I'm guessing he shaved his head for the massive international multi-million dollar movie rather than the cheap one-off Channel 4 gameshow revival. For some reason he looks even more like Richard O'Brien…

The main similarities come in the execution - the main arc is of the Dolls (the reprogrammable people) remembering their past lives and [re]gaining their sentience. At the end of each assignment they have their memories (and personalities) wiped, but certain elements resurface (with outside assistance, as seems to be…

I can't say for 'robots gaining sentience' as a long form narrative precisely, but Dollhouse had a similar feel with the central 'Dolls' being people stripped of their personalities and with new personalities imprinted onto them to suit clients (lots more similarities in the narrative approach, too).