I do enjoy enjoy a drama that manages to so capably balance the big and little moments: at one end of the scale a collision of cataclysmic proportions and, at the other, a collision of two shrewd minds.

First off, recognize that it's a lose/lose situation.

More like returning the favour in advance.

Pity the likes of Goebbels weren't still around, right. I mean, just imagine the ratings.

Bileo Yersiniapestisos

Yappy Yabadabadoopolis!

Why not just bring on any ole big mouth with a grudge mission from off the street, Bill? It's not as if Yiannopoulos is a credible representative of informed opinion to begin with.

HA! Not at chance if the same monkeys who are turning this biosphere into a lifeless, toxic sewer will still be running the show.

But, but, but… my American Alt-History text quite clearly spells out in bold comic sans font how white, heterosexual males have been by far the greatest victims of systemic oppression in America, if not the world.

Sidney! Sid's my accountant. Hey, Sid! Some guy on the blower wants a know how much dat bridge we gots is going for in shekels.

Caught "The Princess Bride" last month and I thought André was a hoot. Of course, there was his earlier thespian triumph as Bigfoot.

And by *wink wink* "slay sacred cows" you mean women, right?

"…he suggests actually listening to people like Yiannopoulos and giving them a chance to speak, because then the public will have a chance to hear their awful, hateful ideas and they’ll—hopefully—recognize them as being awful and hateful."

This year's Crash.

Eh…it wasn't shortly after the Pegasus storyline that BSG jumped up its own ass.

Absolutely, positively Iain Banks' Culture Series.

And we're back…

People like this, huh?

You have my sympathies.

Found it off-putting, to be honest. Given the ending, they're an awfully dissonant pair of book ends.