I have never noticed that and now I will never stop noticing it.  Curses!

Just no to this, though I would absolutely watch a sitcom starring Alton Brown and his wacky adventures with a culinary anthropologist.

Also, I don’t know if it was deliberate, but Ben telling Michael he’s essentially a lost cause echoes a moment in Murder House where Ben tells Tate he can’t be helped because he only cares about himself.  

Giving Moira's story closure was nice. Giving Madison a bit of empathy was unexpected and nice. Nice to have Britton and Lange back. The overt Omen references were appreciated. Peters is a talented actor but he simply can't pass as an eternal teenager anymore (and the way they somewhat excused Tate's behavior is…

24 or 25? He’s at least slightly more age appropriate than Nathan Fillion was.  

That last bit with Cam and Mitch was nice. There was a real affection there.

Seriously, Claire, lighten up. Decades of being with Phil has taught you nothing? 

I had one big laugh which didn't come from the clips, which was Dee insisting she isn't an ostrich. Otherwise this was weirdly structured in how all of the weirdness came 2/3 of the way through.

There's a simultaneously blunt and heartbreaking moment in the oral history of SNL where the cast members are telling long stories about Belushi's death and Curtin simply says "It was very sad but it wasn't shocking." Which in its own way says a lot.

Dang it, I was just going to link to the music video of Starship's "Nothing's Gonna Stop Us Now" for totally normal reasons.

Ridiculous. There is no such movie as Halloween: Resurrection. The Halloween franchise never had Laurie Strode die by falling off a building. It never made an extended reality TV bit starring the kid from Rookie of the Year and Starbuck. It never included a scene where Busta Rhymes fights Michael Myers. The Thorn…

This is so true. I once needed to figure out which of the later Hellraiser sequels involved the video game party and that thing had a longer summary than The Godfather did. 

That final scene and the idea of a plus one for heaven were kind of sweet but I really didn't like this episode and I'm usually a sucker for anthology episodes of this show. One of the weaker musical numbers, too.

It was a bit of a snoozer. The mystery of the desolate planet and the race stuff just never got that interesting. It looked great and Whittaker continues to be a promising Doctor. Not sure yet that we need all three companions. All three actors are solid but Yaz in particular feels barely sketched in as a character so…

Their conversation about Sharon is going to be awkward.  

Then what does the Hogwarts Express run on, Rowling? Burning house elves? Oh my god, is it burning house elves? 

Finished rewatching all of Brooklyn 99, which I think is the rare comedy that starts out strong and gets better season after season. Hard to pick a favorite episode from the later seasons, though the episode long interrogation one is a great demonstration of how good Braugher and Samberg are together.

The little plane circling the globe has to be my favorite studio logo ever. 

I mean, if we're being completely honest, the original Aladdin probably should have credited The Thief of Bagdad, which it is based on almost as much as the fairy tale.

That's fair. I did some work for hire early in my career (anyone who wants to adapt my food safety manual into a Broadway musical has my blessing). I guess I'm just surprised this loophole existed for screenwriting when the WGA is so strict about other things.