Bobby and Eugene would get along like gangbusters, much to the chagrin of both their fathers.

I hadn't seen the other stuff, just this dress code thing. And this article certainly isn't mentioning the context that this is all an art piece.

There's a certain amount of Poe's Law going on then, because it seems completely believable and makes everyone look shitty.

That was my thought. Whoever wrote that statement shouldn't be doing that job.

I watched Rocky Horror for the first time at 12, *with* my mom. And we were rural upper-middle-class Presbyterians. Admittedly, I did *not* understand chunks of it, but I also didn't understand "schwing" from Wayne's World until I was in high school. A lot of the dirty/questionable/problematic stuff will fly over the…

Oh my god, I had to stop it within the first lick, it actually hurt my brain.

I sobbed when the couple pushed their baby out to be saved by Okja and Mija, watching it, knowing they're never see it again, and all the superpigs call out… Like, the guttural, intense sobs that fuck your body up for hours. I haven't cried like that at a movie since The Boy In the Striped Pyjamas.

….. I did not even put it together that it was THAT Kate Nash. Holy shit.

It means he put the pussy on the chainwax.

Those are made in my hometown! I got far more excited than I should have.

I feel like its pretty clear that Kimmy is incapable of being embarrassed, and could therefore possibly not understand how saying these things would destroy Xan. After living through what she did, the thought of being terrified about something like being embarrassed in public just makes no sense to her. As for her not…

And it's the job of all human beings to be decent to each other. We're not doing so well at that.

Holy shit. That's fucking terrible.

I hated it at first, but as I sit with it, I feel like it might be kind of brilliant. I had mentally moved it into period piece, even with the modern day flashbacks. So the thought that this tiny victory for her would bring about the same old mental music cues makes sense and reminds me that she's meant to be just a…

I can understand that. If it's a good production, though, it should gradually shift in tone over the first part of act two. And also, life itself tends to shift pretty abruptly from over-saturated childhood to normal (or sometimes desaturated for those of us lucky enough to have chemical imbalances) in adulthood.

Last Midnight and No One Is Alone are both classic and beautiful. The second act is interesting and full of real consequences and the ability to learn and grow from those consequences. The first act alone is cake for dinner.

Absolutely not! The second act is where all the interesting stuff happens. The first act is for the kids. (But still great, of course.)

The Secret of NIMH. The ending in particular. I had that movie memorized as a kid, I watched it so much. So when the cinder block was sinking into the mud, it was scary, because the kids who I identified with were in danger. Watching it as an adult, of course I identified with the mother (even though I don't have/want…

Superman is fun if you're in the front car, but only then, cause otherwise you're just starting at someone else's feet. They should engineer a way to send out individual cars a certain distance apart, then everyone gets that experience.

Yeah, Iron Wolf was a great idea that just ended up leaving you concussed. God forbid if you had earrings on. My male friends called it the Nutcracker. The Viper, though, that's still outstanding. Or Raging Bull, they're right next to each other and I can never remember which is which.