Because the entire world revolves around Olivia Pope.

Taylor Shilling, was, at one time mildly attractive. Then she opened her mouth and was continually out-acted by nearly every cell mate.

I'm pretty sure Prince was mentioned any time he shared a playlist with the media.

Keith, the cop, was actually open about his sexuality whereas David was closeted. At least during the early episodes. But I always felt as if they were fully realized characters who were so much more than 'gay.' And this was so few and far between at that time, aka the era of "Will & Grace."

This exists in relative obscurity where a "Full House" reboot was met with extreme demand and anticipation. Wow.

I still think the best depiction of 'gay' ever done on TV was "Six Feet Under." David and Keith were just characters trying to get through life. They just happened to be gay.

Are you suggesting Netflix be its own universe? Like where Diedre Robspierre is found guilty of insider trading and sent to Litchfield? And that Lilian's son is Foggy Nelson?

Can we please just let go of the hyper-focus on Jacqueline's [Krakowski's fictional] heritage? I don't understand how intelligent viewers can grasp the satirical nuance in everything this show sends up, yet many don't realize the meta-commentary in making Jacqueline a Native American.

I love Margo Martindale. Mainly for this. It makes you feel all the things.

She got Farrah-ed.

Bayley is so over, even with casual fans. Especially kids. Girls. They exist out of the Full Sail environment. She is also respected by the other women on the roster.

This also proved how clueless they are, given that few in the UK actually care about the Royal family.

Please Kimmy Schmidt gods, figure out a storyline involving direct interaction between Carol Kane and Anna Camp in season 3.

So Jon Hamm can kind of sing?

I should have know that. Of course they are. I'm surprised it didn't happen sooner.

Agreed. Serialized comedy without network constraints is truly Fey's milleu. This season is pretty dark, yet it somehow retains the candy-coated optimism without feeling forced or gimmicky.

Camp is phenomenal as Diedre Robspierre. I really knew very little about her other than Mad Men and catching Pitch Perfect(s) on cable. UKS made me an instant fan girl.

And Anna Camp played Betty-lookalike Bethany Van Nuys, so this episode was positively overflowing with Mad Men.

I also really hope Lilian helps bring 'honky' back into popular vernacular. I've been trying to do it since I was 8, but I'm not Carol Kane or Tina Fey.

Every member of the cast kills it this season. There isn't a weak link.