> She shouldn’t have to respond to this.

> Some of it may even be spun as being racist when it was actually just utter ignorance and lack of thought.

“At that age [19], teenagers are mature enough to know what they’re being part of.”

Part 1The “Behind the Bastards” podcast did a good pair of episodes in which Axon/Taser played a huge role, discussing the long and sketchy lengths they have gone to in order to keep Tasers from being declared a cause of death in police brutality cases, no matter how bad police are misusing them.

Reminds me of the mother with kids in the theatre for A Very Harold & Kumar Christmas.

I don’t think it’s particularly surprising that anti-semites might not like seeing Jews on the screen, but that’s not exactly a new development.

What mess exactly? You mean the mess of having American Jews portrayed on screen?

Are you suggesting that Hollywood has a problem accurately representing American Jews...?
Pretty sure they figured that one out a long time ago.

Still better than Martin Freeman’s American accent. (goddamn that was some bad casting)

Remember when he was on the shortlist for Dr. Strange?

Even if it weren’t for the other baggage, dude’s role choices have been boring AF, except for Star-Lord.

What did you think Baby Driver lacked? I can’t conceive of anything the trailer could have overpromised on that wasn’t in the end product.

Once again, when you full-screen the preview, the pages stay the same size and can’t be read.

Why can’t you guys fix this? Sometimes it works, sometimes it doesn’t.

Teachers are overpaid and whine too much... but are also fucking awesome if you give them some sweet future guns and pants with lots of pockets.

> Thirty years in the future mankind is losing a global war against a deadly alien species. The only hope for survival is for soldiers and civilians from the present to be transported to the future and join the fight.

Uh.... I feel like there could possibly be a better way to harness time travel toward that goal.

“this review fails to give any sense of the comedy that is essential to his work”

Rarely have I read a review that left me with so little an idea about what is actually in the film. Is it an anthology of vignettes?

I remember seeing a few episodes and thinking it was solid.

To be clear, I don’t mean to belittle the topic. I’m just bemoaning how pop culture appears poised to treat it in 2020.

I know human trafficking is a real thing, but it also seems like it’s shaping up to be the next fad boogeyman of contemporary culture. That doesn’t sound great.