I didn’t get it either, but unlike you, I didn’t come here to shit on other people’s enjoyment.  Let people enjoy things (unless they’re nazis).

I’m very disappointed that this is a bureaucracy comedy taking place on the ground. While I respect the talent involved, they’re clearly focusing on the least-ambitious aspects of this whole concept, and that seems like an incredible waste.

Correction: Sax Man is by The Lonely Island (featuring Jack Black).

> It worked out fine

Smoothie-treadmill-painting guy is still going at it?! Someone showed me a clip of him, jeez, nearly 10 years ago, and I couldn’t believe it was real.

honeycrisp all day

I’ll certainly check this out next time I’m picking out apples at the supermarket.

Fancy foil covers from the 90s are worthless, because that was during the comics speculation boom that hurt the industry for a decade. Pretty much any foil-cover or special-event issue was bought in bulk by foolish speculators expecting them to go up in price. In cheap bins you’ll often find like 20 copies of the same…

If you go back and read Ravage again, I think you’ll know that they’ll never be worth much.  They’re pretty bad.

Spider-Man was by Peter David, so I don’t need to tell you that it was consistently pretty good at worst.

Why can’t anybody spell “rogue”?

Here’s that Vulture story that you mistakenly didn’t link to:

Here it is:

Here it is:

I don’t want to play this, but I’m so happy that it exists.

> a cartoon about koalas called Noozles

Great to see love for We Are Scientists; that album is indeed great. Their next album “Brain Thrust Mastery” is even greater.

Can’t knock you; I also own both versions. Plus an EP.

Man, what a missed opportunity!