I don't know if it's even visual storytelling when there's so little story to tell. Mike tailed a guy to the restaurant, and he made a few drops along the way.

Excruciatingly so.

I dunno. I feel like there's such a thing as letting your story breathe too much. Mike's plot this week had a good 50% more screen time than Jimmy's - fully double, if you count the restaurant scene - and in it, Mike learns that Los Pollos Hermanos… exists. Which is information that we, as viewers, have had for seven…

I remember seeing a Tweet that pointed out that even Luthor had the decency to sell LexCorp after getting elected.

So did he film this video using Vine, or… ?

He did, and they were!

Have you ever read the Raiders brainstorming transcripts? 90% bad ideas. So Mark's right on the money here.

God, I friggin' love Hamill more and more with every passing day.

I mean, we already (sadly) learned what would have happened if they'd tried to sell this trilogy solely on Han, Luke, and Leia.

I mean, you kinda brought it up.

Yeah, that is my angle.

Okay, so it went like this:

But that's the thing - he wasn't weighing in! He was announcing the absence of himself weighing in. (And that premise alone should be greeted by a 21-jerk-off-motion salute.)

Rolfe's video might not have made him a sexist, but it was hilariously self-important, and more than a little 'the lady doth protest too much, methinks.'

Killed by gang members hopped up on PCP.

Especially since apparently, all the fuel wanted to do was leave Earth.

"This vault contains… All Of Time!"

The only sense in which agency is a roadblock to storytelling is the sense that when your characters don't have it your story is most likely bad.

They've had about 20 chances to shake it up a bit and have never done so. I doubt they'll spring for it any time soon.

Baldwin phoning it in yet again for the cold open, followed by that 'monologue,' followed by a Family Feud sketch, had me seriously considering bailing on the whole thing before we even got to midnight.