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GoochExtension
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This was a really great season finale, and I really came to love this show as its first season progressed, after initially being on the fence about it. I'm very excited about the second season.

Most live action TBS comedies seem to be doing 10 episode seasons (see also: Search Party, Angie Tribeca, The Detour). I imagine they don't really have the budget for much more, but I think 10 episodes is a good number - it keeps the pacing tight and allows for a little breathing room without the need for filler

Reposting from the Avocado: The more I think about how much of a let-down the back half of South Park's 20th season was, the more convinced I become that Garrison should have bombed Denmark.

I felt the dialogue was a little too on-the-nose by Rectify's standards at some points, but other than that, this was an excellent finale all around. Everything that needed to be addressed was addressed, every character interaction that needed to happen happened, and the emotional resonance of the final 10 minutes or

This wasn't a great episode, though Boyle was on fire, at least.

My top 50 shows of 2016:

It had an amazing cast and a premise rich in potential, but I felt the dialogue really let the show down. I'll tune back in for season 2, but it's not going to be priority viewing for me until they fix that damn dialogue.

I don't think there are many DGD fans around these parts of the internet.

Upvoted for Arrested Development reference in username.

1. Deftones - Gore
2. Polyenso - Pure in the Plastic
3. Dance Gavin Dance - Mothership
4. The Dear Hunter - Act V: Hymns with the Devil in Confessional
5. The Dillinger Escape Plan - Dissociation
6. Comrades - Lone/Grey
7. An Endless Sporadic - Magic Machine
8. From Indian Lakes - Everything Feels Better Now
9. All Human -

Gore is easily my album of the year, and probably my third favourite Deftones album. I'n really happy to see someone acknowledging them here (I also love the band very dearly).

I think he'll be back in the final episode or two of the season. This show generally tends to amp up the more dramatic elements of its running narratives as each season concludes, and Pat's return seems like the logical thing to do for the end of S3.

I actually thought the finale was a pretty good episode in and of itself - I love it when South Park gets introspective and meta - though I'm conflicted about the season as a whole. I really loved the first half, but the back half was pretty iffy(something I would largely attribute to Trump's unexpected win, since it

Cable shows and the like generally have smaller teams of people working on them though, so fewer episodes doesn't necessarily equate to less work. Not to mention broadcast networks will generally demand a show remain on schedule even if it comes at the expense of quality, while cable networks/online streaming services

They did mention it was incomplete - I'm guessing the showers just hadn't been built in time.

His episodes are significantly funnier, are truer to the characters, and remain inside the logistical confines that the classic era followed - also doing their best to stick to the same humour/heart/story ratio. And they generally possess a coherent, well-told, and well-structured story (often without just repainting

Huh, this episode was actually pretty good.

I'm not sure I'd call Merits my favourite episode (Nosedive, San Junipero and White Bear all give it a serious run for its money), but it's definitely my favourite of the first season.

There was a much more in-depth explanation on the show, but basically, the chord progression of the song matched the sound of their homeworld or something to that effect. As for why the writers chose that song, I'm guessing lyrical relevance and instant recognition.

It didn't totally click with me until about episode 6 or 7, then I really got into it.