Life is too short to eat chain pizza. But I guess if you’re about to die, you might as well get someone from Dominoes to take a shit on a crust, cover it with toppings and then tell you it’s pizza.

It’s like the Constitution was written by Bobby “The Brain” Heenan.

He was never Trump’s lawyer, he was council for the White House.

I really don’t want to see it, either. 

And it's much more windy than Chicago, but here we are...

What the fuck did you tell him that for? We have enough shitty drivers in this state already...

Additional question for lawyers:  if they’re asking him to come back an elaborate on previous answers, hasn’t he already waived his 5th Amendment privilege? It’s like his dipshit father tweeting about shit, and then trying to assert executive privilege over the topics he’s tweeting about. 

Fair point.

I don’t know, Taters n’ Tits was pretty good, but I could have done without Kenny learning how to be his best self. 

Vice Principals was fucking great, but outside of the fourth season of EB&D, no way was it better. Kenny Powers fucking around down in Mexico was a goddamned delight.

Eh, ‘Shut Up You Fucking Baby’ was pretty funny...

I would gladly vote for 10lbs of shit in a 5lb sack before I’d vote for Trump again. 

And now I can’t wait for Kyrie to fuck off to New York. 

Because they don’t care.

I’m just glad they didn’t try to make Control some proto-Borg.

There was a female comedian that simultaneously trashed CK and was in favor of what he’s doing regarding the copyright.

He’s also probably tired of people taking his comedy out of context in order to dunk on him. Not that he should be surprised by that, though.

Ah, AFN. I remember when we came back stateside for good, I had to figure out a way to play catch up on all the shows I was massively behind on. Which was a gigantic pain in the ass back before VOD. I actually had to keep a list of what shows I hadn’t seen and would scour the TV Guide every week.

I read ‘Fight Club’ about a month before the movie came out, and then spent that time period trying to figure out how the fuck they were going to pull it off. It was a good time.

And knowing what’s going to happen is only one half of the equation. I like to see how they’re going to put it together and if it works or not. Seeing something on a page doesn’t tell me if what the filmmaker was trying to achieve works or not.

Someone should tell him that television is a visual medium, so it’s sort of important to always see what’s going on. If he’s going more for an emotional impact, then maybe it’s radio plays that he should be looking at.