To all those saying “I don’t get it, what’s the massive/historic appeal”... more and more, I keep thinking of how unapologetically environmentalist and anti-oligarchical these movies are.

“Upcoming crossover team-ups like The Marvels and Thunderbolts should inject some much-needed energy into the superhero mega-franchise.”

“Oh, 1899, we barely knew ye.”

Fett was bad, but at least it didn’t actively damage the canon. Kenobi, on the other hand, did exactly that and was awful, to boot. Making Leia and Vader main characters was ill-judged enough, and then the finale doubled down by building a climax around Luke, too. And who could forget Reva, the most spectacularly…

Because humans are famously completely uninterested in cats?

Oh, I don’t think any of us will have much trouble not talking about this flick again...

I like Walk Hard, and I also like Bohemian Rhapsody. Hell, I also like Walk the Line. Just because Walk Hard is good doesn’t mean no music biopics should ever use that basic structure again.

“Other than that, it sounds like spending $400 million on a Black Adam movie”

Get this People Magazine shit out of our Zombie AV Club, please.

“Westworld, meanwhile, was unjustly canceled a few months after airing its fourth season”

And what about her writing skills? I thought WW 1 had a garbage script, but she didn't write that one, and that was the one people liked.

“Last month, a jury found that Spacey did not molest Rapp in 1986” - are you sure that’s what they found? Because, while I’m no lawyer, I don’t think juries make those sorts of statements.

Not only does this Cupsogue Pictures not have a Wikipedia article, it doesn’t even seem to have a web site.

Just to be clear, right off the bat:

“They don’t really need exclusive new shows when everything else is already an exclusive. Why spend more money?”

A big part of what made Spotlight so effective was the team’s realization that they should have realized the reality and scope of the horror long before. If there’s no similar dramatic angle here, however, I can easily picture it being much less interesting.

Count me as deeply skeptical of the 5% color approach. I get its use in Flags of Our Fathers/Letters from Iwo Jima, because those movies were recalling a time we have B&W footage of. But while we have B&W photos of the Civil War, that’s not the same thing, and, unlike those Eastwood movies, it looks as though Emancipat…

It’s not the elves we conscripted along the way??

Okay, let’s pitch some more out-there (or maybe not-so out there?) legacy sequel ideas! My big one is Harold and Kaylynn, in which Bud Cort reprises his signature role in order to teach a depressed, Instagram-obsessed young woman the joys of life via whimsical adventures... and romance.

*Sees blu-ray sets of Westworld Seasons 2-4 on the ground*